On March 1, 2022, the song "Chintamani Paras Namo Namah" was released by Ravindra Jain. This song appears to be safe for all ages as it is not explicit. There are a total of 17 in the song's album "Namo Namo Mahavir". In this album, this song's track order is #3. Furthermore, we believe that the track originated from India. Based on our statistics, Chintamani Paras Namo Namah's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Chintamani Paras Namo Namah by Ravindra Jain having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prem Ab Anant Ho Gaya | Prem Bhushan Maharaj | D Major | 5 | 10B | 131 BPM | ||
| Bhagwan Meri Naiya Uss Paar Laga Dena PrayerMeet Bhajan | Charan Ji | C Minor | 7 | 5A | 170 BPM | ||
| Mere Malik Ke Darbar Mein | Pujya Prembhushanji Maharaj | E♭ Major | 7 | 5B | 129 BPM | ||
| Mujhe Gale Se Lga Lo | Giriraj Kumar | D♭ Major | 8 | 3B | 110 BPM | ||
| Shyam Chudi Bechne Aaya (From "Kabhi Ram Banke Kabhi Shyam Banke") | Tripti Shakya | B♭ Minor | 2 | 3A | 84 BPM | ||
| Sabse Sundar Sapne Ram | Kumar Vishwas | A♭ Minor | 6 | 1A | 154 BPM | ||
| Jai Jai Santoshi Mata - Dhun | C. Arjun | G Minor | 7 | 6A | 154 BPM | ||
| Radhey Radhey Japo Chale Aayenge Bihari | Mridul Krishan Shastri | G Minor | 5 | 6A | 100 BPM | ||
| Kamna Hriday Ki Suna Ke Dekh Le | Babla Mehta | A Major | 5 | 11B | 94 BPM | ||
| Ab Sop Diya Is Jeevan Ka Sab Bhar Tumhare Hathon Mein | Padma Jha | D♭ Major | 5 | 3B | 95 BPM | ||
| Deepavali Manayi Suhani - Shirdi Ke Sai Baba / Soundtrack Version | Asha Bhosle | A Major | 7 | 11B | 153 BPM | ||
| Nagri Ho Ayodhya Si | Prakash Gandhi | A♭ Major | 8 | 4B | 90 BPM | ||
| Jaikaara Sheranwali Ka | Sonu Nigam, Babla Mehta | E Minor | 5 | 9A | 105 BPM | ||
| Ayodhya Karti Hai Aahvaan | Ravindra Jain, Satish Dehra, Rachna, Deepmala | G Major | 6 | 9B | 144 BPM | ||
| Ram Jai Jai Ram Main To Ram Hi Ram Pukarun | Ravindra Jain, Satish Dehra | D Minor | 5 | 7A | 80 BPM | ||
| Meethe Rash Se Bhari Radha Rani Lage | Rakesh Kala | F Minor | 7 | 4A | 88 BPM | ||
| Sanchi Kahe Toe Aavan Se | Jaspal Singh | A♭ Major | 7 | 4B | 104 BPM | ||
| Shreeman Narayan Narayan | Tara Devi | A♭ Major | 8 | 4B | 147 BPM | ||
| Jai Shail Sute Sambhu Nute Deepachan Sweekaro | Chandrani Mukherjee, Hemlata | A Minor | 4 | 8A | 94 BPM | ||
| Shree Ram Stuti | Nitin Mukesh | G Minor | 5 | 6A | 101 BPM | ||
| Gopal Muraliya Wale | Vinod Agarwal Ji | D♭ Major | 5 | 3B | 82 BPM | ||
| Teras Ri Hai Raat | Kamal Sethia | D Major | 6 | 10B | 78 BPM | ||
| Maa Tere Darbar Jhuke Sara Sansar | Mohammed Rafi | G Minor | 4 | 6A | 86 BPM | ||
| Vithal Namachi Shala Bharli | Bela Shende | D Minor | 6 | 7A | 104 BPM | ||
| Mai Sabse Badi Hai Tu | Riza Khan, Bali Thakre | E Major | 8 | 12B | 104 BPM |