Moritz Bintig, Alan Jay Reed's 'Building Aggression' had a release date set for May 6, 2025. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Building Aggression's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Power Drive". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. In terms of popularity, Building Aggression is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Building Aggression by Moritz Bintig, Alan Jay Reed having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| EDM Now | Adix, Moritz Bintig, VIBINDEEP | B♭ Minor | 6 | 3A | 97 BPM | ||
| Siempre Toma Tiempo | Hasta El Final | D♭ Major | 2 | 3B | 160 BPM | ||
| Joyful Occurrence | Otto Sieben, Moritz Bintig | A♭ Major | 5 | 4B | 140 BPM | ||
| Believe in Glory | Bonnie Grace | F Minor | 6 | 4A | 124 BPM | ||
| Promises | Niclas Moan, Nocilla | B Major | 2 | 1B | 85 BPM | ||
| Only for Tonight | Ricardo Morjona | F Major | 4 | 7B | 160 BPM | ||
| Sun Mother | John D. Boswell, Melodysheep | A♭ Major | 5 | 4B | 120 BPM | ||
| Floating Horizons (feat. Joachim Tospann) | Moritz Bintig, Joachim Tospann | C Major | 2 | 8B | 73 BPM | ||
| Once the Smoke Clears | The 1999 | D Major | 1 | 10B | 134 BPM | ||
| For Yim | Danke Timi Briggs | G Minor | 3 | 6A | 151 BPM | ||
| Le Chant | Klahman | A♭ Major | 2 | 4B | 95 BPM | ||
| Embers | Damian Marhulets, Moritz Bintig | G Minor | 3 | 6A | 120 BPM | ||
| Fight | Otto Sieben, Moritz Bintig | B♭ Major | 6 | 6B | 123 BPM | ||
| It's the Only Way | Atli Örvarsson, Kjartan Holm, Sin Fang | D Major | 1 | 10B | 134 BPM | ||
| Nemici Estremi | Bulruk | B♭ Minor | 3 | 3A | 36 BPM | ||
| Amores Correspondidos | Universo De Oro | G Minor | 0 | 6A | 83 BPM | ||
| Obvious | Erakil Leumann, Erakil Lee | B♭ Minor | 2 | 3A | 95 BPM | ||
| Fight for Survival | Moritz Bintig | C Major | 3 | 8B | 92 BPM | ||
| Traveling the Middle East | Francisco Becker, Moritz Bintig | E Minor | 3 | 9A | 160 BPM | ||
| Sweet Nothings | Ricardo Morjona | F Major | 4 | 7B | 160 BPM | ||
| Outta Office | Uebbeow | C Minor | 3 | 5A | 74 BPM | ||
| Villain versus Young Hero | Grant Newman | C Minor | 4 | 5A | 120 BPM | ||
| Limitless Gojo (alt) | vrtu | D Major | 1 | 10B | 134 BPM | ||
| Perchance to Dream | Damian Marhulets, Moritz Bintig | C Minor | 4 | 5A | 120 BPM | ||
| 一個舞台 | 健康合作社 | D Major | 1 | 10B | 134 BPM |