"Reflections: II. Pazienza" by Percy Whitlock, Roderick elms had its release date on 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "The Gentle Art of Percy Whitlock (Sortie and Other Organ Music)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Reflections: II. Pazienza is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Reflections: II. Pazienza by Percy Whitlock, Roderick elms having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Meditation in E Minor, Op. 14, No. 2 | Otto Olsson, Ralph Gustafsson | B Minor | 2 | 10A | 75 BPM | ||
| Brewer: Magnificat in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 92 BPM | ||
| Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
| Suite No.1 from Pièces de clavecin, Op.1: Andante | Joseph-Hector Fiocco, Ian Tracey | E Minor | 0 | 9A | 66 BPM | ||
| Orgelkoraal Psalm 25, "Heer wijs mij toch zelf de wegen" - Instrumentaal | Jorrit Woudt | G Major | 1 | 9B | 116 BPM | ||
| Before Action | Hilgrove Kenrick, Ǣfendrēama, Chloe May Evans | F Minor | 2 | 4A | 67 BPM | ||
| Oculi omnium | Charles Wood, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | D♭ Major | 3 | 3B | 138 BPM | ||
| Unto Thee Lift I Up Mine Eyes (Psalm 123) | William Crotch, James Anderson-Besant, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 1 | 9B | 65 BPM | ||
| Percy Whitlock: Folk tune | Percy Whitlock, David Poulter | F♯ Minor | 0 | 11A | 71 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| O Tebe raduyetsia, Op. 15 No. 11 | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | E♭ Major | 0 | 5B | 121 BPM | ||
| Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Gaudete: Gloria! Gloria! | Anders Öhrwall, Hagersten Motet Choir, Ingemar Mansson, Mats Möller, Christina Sonstevold, Knut Sönstevold | A♭ Major | 1 | 4B | 159 BPM | ||
| Last Office of Night | Night Monastery | C Minor | 0 | 5A | 126 BPM | ||
| The Nativity Troparion F-dur, The Nativity and Divine Liturgy Chants, for Mixed Choir a Cappella, Op. 36 | St.Petersburg Chamber Choir, Nikolay Korniev | F♯ Minor | 1 | 11A | 77 BPM | ||
| Israel in Egypt, HWV 54, Pt. II, "Exodus": No. 8, Chorus. He Sent a Thick Darkness | George Frideric Handel, Le Concert Spirituel, Herve Niquet | B Major | 3 | 1B | 110 BPM | ||
| Requiem, Op. 9: Lux aeterna | Maurice Duruflé, Ivan Repušić, Bavarian Radio Chorus, Munich Radio Orchestra | B♭ Major | 0 | 6B | 67 BPM | ||
| Ave Maria | James MacMillan, St Salvator's Chapel Choir, Sean Heath, Tom Wilkinson | B Minor | 2 | 10A | 69 BPM | ||
| O Saviour of the World | John Goss, Choir of Clare College, Cambridge, Timothy Brown | A♭ Major | 0 | 4B | 134 BPM | ||
| Crucifixus | Antonio Lotti, Jugendchor Osnabrück, Johannes Rahe | D♭ Minor | 0 | 12A | 76 BPM | ||
| To Seek Where Shadows Are: III. In The Bleak Midwinter | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 137 BPM | ||
| Burial Sentences: I. I Am The Resurrection | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | D Minor | 1 | 7A | 75 BPM | ||
| Magnificat in C Minor | George Dyson, The Choir of St. George's Church, Christopher Gray, Nigel McClintock | C Minor | 2 | 5A | 34 BPM | ||
| Folk Tune | Percy Whitlock, Noel Rawsthorne | F♯ Minor | 0 | 11A | 59 BPM | ||
| Thy Hand, O God Has Guided | Blackburn Cathedral Choir, Greg Morris | D Major | 1 | 10B | 106 BPM |