ASKA's '伝わりますか' had a release date set for April 18, 2001. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 14 in ASKA the BEST Selection 1988-1998 by ASKA. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. 伝わりますか is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 伝わりますか by ASKA is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 若き獅子たち | Goro Noguchi | C Major | 5 | 8B | 92 BPM | ||
| Anata Shika Inai Desho | Shizuka Kudo | B♭ Major | 7 | 6B | 115 BPM | ||
| 部屋とYシャツと私~あれから~ | Eri Hiramatsu | A Major | 4 | 11B | 116 BPM | ||
| この愛に泳ぎ疲れても | ZARD | F♯ Minor | 8 | 11A | 144 BPM | ||
| LAST CALL | Yasushi Nakanishi | F♯ Major | 5 | 2B | 141 BPM | ||
| UNI-VERSE | ASKA | E♭ Major | 8 | 5B | 174 BPM | ||
| In my arms tonight | ZARD | F♯ Minor | 9 | 11A | 114 BPM | ||
| よろしく哀愁 | Hiromi Go | F♯ Minor | 5 | 11A | 148 BPM | ||
| いつか何処かで(I FEEL THE ECHO) | Keisuke Kuwata | D Major | 6 | 10B | 128 BPM | ||
| 女ぎつね on the Run (Original "Big Bowl" Version) | BARBEE BOYS | A Major | 9 | 11B | 178 BPM | ||
| Bluebird | Miki Imai | G Major | 9 | 9B | 109 BPM | ||
| 月が近づけば少しはましだろう | ASKA | G Major | 6 | 9B | 130 BPM | ||
| 翼あるもの | Kai Band | E Minor | 7 | 9A | 82 BPM | ||
| 太陽の破片 | Yutaka Ozaki | G Minor | 5 | 6A | 104 BPM | ||
| あんた | Takajin Yashiki | F Major | 4 | 7B | 76 BPM | ||
| Oh my love | ZARD | F Major | 9 | 7B | 111 BPM | ||
| 恋という名の翼 | Yasuhiro Yamane | B Minor | 9 | 10A | 120 BPM | ||
| 花咲く旅路 | Yuko Hara | C Major | 3 | 8B | 145 BPM | ||
| ボヘミアン | CHAGE and ASKA | D Minor | 9 | 7A | 139 BPM | ||
| 可愛いミーナ [2022 Remaster] | Keisuke Kuwata | C Major | 8 | 8B | 115 BPM | ||
| 夢の吹く頃 | Masashi Sada | E Minor | 4 | 9A | 133 BPM | ||
| 次の夢 | Keizo Nakanishi | A♭ Major | 5 | 4B | 94 BPM | ||
| もしもピアノが弾けたなら | Toshiyuki Nishida | D Major | 3 | 10B | 120 BPM | ||
| 男がひとり飲む酒は | Junpei Oda | F Major | 7 | 7B | 130 BPM | ||
| 今はもうだれも | ALICE | C Major | 8 | 8B | 130 BPM |