Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra's 'Mathis Der Maler, 6th Tableau, Scene 2: Das kann nicht der gleiche Mann sein (Mathis)... Du hast ihn verschleudet (Üppigkeit (Gräfin)/Antonius (Üppigkeit))' had a release date set for April 1, 1995. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 5 out of 61. The popularity of Mathis Der Maler, 6th Tableau, Scene 2: Das kann nicht der gleiche Mann sein (Mathis)... Du hast ihn verschleudet (Üppigkeit (Gräfin)/Antonius (Üppigkeit)) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mathis Der Maler, 6th Tableau, Scene 2: Das kann nicht der gleiche Mann sein (Mathis)... Du hast ihn verschleudet (Üppigkeit (Gräfin)/Antonius (Üppigkeit)) by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Prestissimo (even faster than presto) because the track has a tempo of 205 BPM, a half-time of 102BPM, and a double-time of 410 BPM. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Langsamer Satz (Arr. G. Schwarz for string orchestra) | Anton Webern, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 3 | 7B | 143 BPM | ||
| Piano Concerto No. 3, Sz. 119: II. Adagio religioso | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | ||
| Piano Concerto in C-Sharp Minor, Op. 45: III. Largo | Amy Beach, Alan Feinberg, Nashville Symphony Orchestra, Kenneth Schermerhorn | F♯ Minor | 0 | 11A | 88 BPM | ||
| Ligeti : Romanian Concerto : I Andantino | György Ligeti, Jonathan Nott, Berliner Philharmoniker | C Major | 0 | 8B | 91 BPM | ||
| Mendelssohn: String Quartet No. 6 in F Minor, Op. 80, MWV R37: III. Adagio | Felix Mendelssohn, Quatuor Ébène | A♭ Major | 1 | 4B | 117 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l’Éternité de Jésus | Olivier Messiaen, Louise Bessette, Cameron Crozman | E Minor | 1 | 9A | 123 BPM | ||
| Ein Heldenleben, Op. 40, TrV. 190: Des Helden Walstatt | Richard Strauss, Wiener Philharmoniker, Christian Thielemann, Rainer Honeck | G Major | 1 | 9B | 85 BPM | ||
| Viola Sonata, Op. 25, No. 1: IV. Rasendes Zeitmass. Wild. Tonschonheit ist Nebensache | Paul Hindemith, Nobuko Imai | F Major | 5 | 7B | 104 BPM | ||
| Ligeti : Romanian Concerto : III Adagio, ma non troppo | György Ligeti, Jonathan Nott, Berliner Philharmoniker | F Major | 0 | 7B | 73 BPM | ||
| Viola Sonata, Op. 11, No. 5: IV. In Form und Zeitmass einer Passacaglia. Das Thema sehr gahalten | Paul Hindemith, Nobuko Imai | B♭ Major | 2 | 6B | 101 BPM | ||
| Petrouchka: Fête populaire de la semaine grasse | Ferenc Fricsay, Berliner Philharmoniker | B♭ Major | 5 | 6B | 73 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| Berg: Der Wein | Alban Berg, Giuseppe Sinopoli, Deborah Voigt, Staatskapelle Dresden | F Major | 2 | 7B | 92 BPM | ||
| Der Schwanendreher · Konzert nach alten Volksliedern für Viola und kleines Orchester: III. Variationen über "Seid ihr nicht der Schwanendreher" | Paul Hindemith, Tabea Zimmermann, David Shallon, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | C Major | 1 | 8B | 90 BPM | ||
| Divertimento for Strings, Sz. 113: III. Allegro assai | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
| Badian: Concerto for Piano & Orchestra, Pt. 3 (Live) | Maya Badian, Winnipeg Symphony Orchestra, Peter Tiefenbach | G Minor | 5 | 6A | 74 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: III. Andante | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | F♯ Minor | 0 | 11A | 64 BPM | ||
| Sinfonia Concertante, Op. 125: I. Andante | Sergei Prokofiev, The Pilsen Philharmonic Orchestra, Chuhei Iwasaki, Michał Balas | E Minor | 1 | 9A | 123 BPM | ||
| Ives: Set No. 6 for Chamber Orchestra "From the Side Hill": I. Mists | Charles Ives, Ensemble Modern, Ingo Metzmacher | E♭ Major | 1 | 5B | 131 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D Major | 0 | 10B | 78 BPM | ||
| String Quartet No. 1 in A Major: III. Scherzo: Prestissimo | Alexander Borodin, Budapest Haydn Quartet | C Major | 2 | 8B | 109 BPM | ||
| Nocturne, Op. 40, B. 47 | Antonín Dvořák, Panocha Quartet, Pavel Nejtek | B Major | 0 | 1B | 96 BPM | ||
| Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | ||
| Suite, Op. 157b: I. Ouverture | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | D♭ Major | 0 | 3B | 66 BPM | ||
| Heut triumphieret Gottes Sohn, BWV 630 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM |