"Rise From The Ashes (Rising Phoenix)" by Daniel Pemberton had its release date on August 26, 2020. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "Rising Phoenix (Original Soundtrack From The Netflix Documentary)". In this album, this song's track order is #24. Based on our statistics, Rise From The Ashes (Rising Phoenix)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rise From The Ashes (Rising Phoenix) by Daniel Pemberton having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bt-7274 | Stephen Barton | B Major | 4 | 1B | 85 BPM | ||
| Forest Battle | Steve Jablonsky, Lisbeth Scott | G Minor | 6 | 6A | 90 BPM | ||
| Encom Part I | Daft Punk | G Major | 2 | 9B | 79 BPM | ||
| Andor Season 2 End Credits Music | Jamie Evans Music | A Minor | 4 | 8A | 60 BPM | ||
| Thor: Ragnarok | Mark Mothersbaugh | A Minor | 7 | 8A | 151 BPM | ||
| Across the Spider-Verse (Start a Band) | Daniel Pemberton | D Major | 5 | 10B | 135 BPM | ||
| The Entity's Future | Max Aruj, Alfie Godfrey | D♭ Major | 8 | 3B | 125 BPM | ||
| Main Title - Young Peter | James Horner | G Minor | 1 | 6A | 141 BPM | ||
| Fireworks | Nicholas Hooper | D Major | 5 | 10B | 100 BPM | ||
| Godzilla-1.0 Godzilla Suite III | Naoki Sato | D♭ Major | 6 | 3B | 81 BPM | ||
| Irrevocable | Atli Örvarsson | D♭ Major | 2 | 3B | 79 BPM | ||
| A Miraculous Return | Rupert Gregson-Williams | E Minor | 3 | 9A | 136 BPM | ||
| From the Embers of Edo to the New World | Amie Doherty | A Minor | 2 | 8A | 99 BPM | ||
| Five Months | Daniel Pemberton | D Minor | 1 | 7A | 131 BPM | ||
| Meet the IMF | Joe Kraemer | A Minor | 1 | 8A | 90 BPM | ||
| The Animus | Jed Kurzel | A Major | 4 | 11B | 130 BPM | ||
| Morocco Pursuit | Joe Kraemer | D Minor | 6 | 7A | 80 BPM | ||
| Spider-Gwen Theme (Spider-Man: Across The Spider-Verse) - Epic Version | Krutikov Music | B Minor | 8 | 10A | 82 BPM | ||
| Introducing Flint | Mark Mothersbaugh | E Minor | 2 | 9A | 92 BPM | ||
| High Magistrate | Joseph Shirley, Ludwig Göransson | A Major | 7 | 11B | 170 BPM | ||
| Summon the Suit | Hesham Nazih | E Minor | 0 | 9A | 65 BPM | ||
| Dragons | Neal Acree, Overwatch, Blizzard Entertainment | G Minor | 4 | 6A | 131 BPM | ||
| Bumblebee | Steve Jablonsky | D Minor | 2 | 7A | 152 BPM | ||
| Blanc's Tale, Pt. I | Nathan Johnson | G Major | 1 | 9B | 106 BPM | ||
| Midnight Storm | Rob Simonsen | B♭ Major | 3 | 6B | 85 BPM |