Ranee Lee's 'Oh Lady, Be Good' had a release date set for April 1, 2000. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 40 out of 42 in Dark Divas: The Musical by Ranee Lee. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Oh Lady, Be Good is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Oh Lady, Be Good by Ranee Lee is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Taxes | Disco Loveless | A Major | 0 | 11B | 171 BPM | ||
| Living Thoughtfully | Monika Ryan | C Major | 2 | 8B | 132 BPM | ||
| They All Laughed | Quiana Lynell, Jamison Ross | A Minor | 2 | 8A | 131 BPM | ||
| The Folk Who Live on the Hill | Callum Au, Claire Martin | E♭ Major | 2 | 5B | 69 BPM | ||
| Angel | Dasha Beets | C Minor | 3 | 5A | 82 BPM | ||
| The Sweetest Moments | Alex Bird, The Jazz Mavericks, Ewen Farncombe | D Major | 1 | 10B | 78 BPM | ||
| Someone's in the House | Kat Edmonson | A Minor | 3 | 8A | 176 BPM | ||
| Old Mother Hubbard | Naama | D♭ Major | 0 | 3B | 106 BPM | ||
| All Or Nothing At All | Matt Dusk | A Minor | 5 | 8A | 138 BPM | ||
| No More Blues | Ranee Lee | B Minor | 6 | 10A | 115 BPM | ||
| It's Crazy | Connie Lansberg, Mark Fitzgibbon, Ben Hanlon, Peter Hodges | A♭ Major | 3 | 4B | 81 BPM | ||
| Misty | Dianne Reeves | B♭ Major | 1 | 6B | 79 BPM | ||
| In a Sentinmental Mood | Ann Hampton Callaway | B♭ Major | 1 | 6B | 82 BPM | ||
| Lover Man | Roberta Gambarini | B♭ Major | 1 | 6B | 140 BPM | ||
| Twentieth Century Fox | Angela Verbrugge | A Major | 0 | 11B | 171 BPM | ||
| My Funny Valentine | Laila Biali, Kurt Elling | C Major | 3 | 8B | 122 BPM | ||
| The Nearness Of You | Matt Dusk | D Major | 3 | 10B | 139 BPM | ||
| Cloudy Treasures | Louise Bøttern | B♭ Minor | 4 | 3A | 119 BPM | ||
| Tabarin Olimpo (Big Band Version) | Bob Salmieri Bastarduna Quintet, Mary Ann Palermo, Pasquale Innarella | A Minor | 3 | 8A | 180 BPM | ||
| Don't Go to Strangers | Tierney Sutton | E♭ Major | 1 | 5B | 112 BPM | ||
| Pourquoi | Les Twenty-Nines, Myia, Ranee Lee | B Major | 2 | 1B | 109 BPM | ||
| Eternal Day | Romy Camerun, Henning Schmiedt, Zülfü Livaneli | A Major | 3 | 11B | 76 BPM | ||
| Que Sera Sera (Whatever Will Be Will Be) | Bria Skonberg | A♭ Major | 2 | 4B | 111 BPM | ||
| You Are So Beautiful to Me | Katrine Madsen | D♭ Major | 0 | 3B | 97 BPM | ||
| For Me | Sandra Dawn | D♭ Minor | 3 | 12A | 127 BPM |