"To the End" by Lucy Railton, Beatrice Dillon had its release date on March 23, 2018. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 6 in the song's album "Paradise 94". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. To the End is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With To the End by Lucy Railton, Beatrice Dillon having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| An Avalanche | Lucinda Chua | C Minor | 0 | 5A | 85 BPM | ||
| 2c | Kara-Lis Coverdale | F Minor | 3 | 4A | 81 BPM | ||
| In Wound and Water | Drew McDowall | E♭ Minor | 4 | 2A | 71 BPM | ||
| Ilashe Beach | Tony Njoku | E♭ Minor | 3 | 2A | 52 BPM | ||
| Melancholia XIV | William Basinski | E♭ Major | 0 | 5B | 70 BPM | ||
| Alone on Mulholland | Ellen Reid | B Minor | 1 | 10A | 70 BPM | ||
| Analemma | Maya Shenfeld | D♭ Major | 1 | 3B | 81 BPM | ||
| Time forest | Hiroshi Yoshimura | D Minor | 1 | 7A | 76 BPM | ||
| Open Water | Pjusk, Arovane | E Minor | 7 | 9A | 99 BPM | ||
| Calendar of Days | PDP III, Britton Powell, Lucy Railton, Huerco S. | A Major | 6 | 11B | 118 BPM | ||
| Goniorizon | Fennesz | F♯ Minor | 3 | 11A | 123 BPM | ||
| Workaround Five | Beatrice Dillon, Lucy Railton | F Major | 0 | 7B | 131 BPM | ||
| Nahbarkeit | Laurel Halo | A Minor | 5 | 8A | 85 BPM | ||
| Everything Without Shadow | Carmen Villain | C Major | 2 | 8B | 76 BPM | ||
| Abeyant | Sarah Davachi | E♭ Major | 3 | 5B | 119 BPM | ||
| Winter Cop | Tim Hecker | D♭ Major | 1 | 3B | 87 BPM | ||
| Clearance | Celia Hollander | E Minor | 1 | 9A | 68 BPM | ||
| Water Music | Kelly Moran | A♭ Major | 4 | 4B | 97 BPM | ||
| Palmistry | Astrid Sonne, Minais B | B Minor | 2 | 10A | 70 BPM | ||
| Tecum | Shida Shahabi | F Major | 2 | 7B | 176 BPM | ||
| Insemination | Lucy Railton, Yair Elazar Glotman | F♯ Minor | 1 | 11A | 115 BPM | ||
| Phase I | Lucy Railton | A Major | 0 | 11B | 73 BPM | ||
| Chorus Scene | Sarah Davachi | C Minor | 0 | 5A | 133 BPM | ||
| Morning Room I | Sofie Birch, Antonina Nowacka | D Minor | 1 | 7A | 80 BPM | ||
| Her Searching Hands | Skúli Sverrisson, Anthony Burr | E Minor | 0 | 9A | 54 BPM |