"Fight Clubs Are Real" by Cliff Martinez had its release date on February 16, 2018. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Cliff Martinez's "Game Night (Original Motion Picture Soundtrack)" album is number 15 out of 20. On top of that, United States appears to be the country where this track was created. In terms of popularity, Fight Clubs Are Real is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Fight Clubs Are Real by Cliff Martinez to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mega City One | Paul Leonard-Morgan | G Major | 4 | 9B | 100 BPM | ||
| Dance and Angela (Glance Backwards) [Jean-Phi Goncalves Remix] | Jeffrey Brodsky | F Minor | 3 | 4A | 105 BPM | ||
| Loam | Blanck Mass | E Major | 4 | 12B | 93 BPM | ||
| Let's Go Home | The Crystal Method | B Minor | 7 | 10A | 166 BPM | ||
| Let My Baby Ride | Sune Rose Wagner | F♯ Minor | 10 | 11A | 192 BPM | ||
| Before and After Faith | Trent Reznor and Atticus Ross | G Major | 6 | 9B | 115 BPM | ||
| The Birds Are Doing That | Cliff Martinez | F Major | 1 | 7B | 166 BPM | ||
| Demonstration | Tyler Bates | B Minor | 4 | 10A | 85 BPM | ||
| Everything Connected - Edit | Jon Hopkins | G Major | 6 | 9B | 125 BPM | ||
| Abandoned Streets | Jordan F | A Major | 9 | 11B | 172 BPM | ||
| Powder Room | Julian Winding | A Minor | 6 | 8A | 120 BPM | ||
| Deadly Valentine (Soulwax Remix) | Charlotte Gainsbourg, Soulwax | B Major | 9 | 1B | 105 BPM | ||
| Kmc014 | Lovett | B Major | 4 | 1B | 96 BPM | ||
| The Demon Dance | Julian Winding | D Major | 6 | 10B | 113 BPM | ||
| ...Of Your Fake Dimension | Com Truise | D Major | 7 | 10B | 138 BPM | ||
| Last Man Standing - Original | Hybrid | A♭ Major | 9 | 4B | 128 BPM | ||
| Automatica | Nigel Stanford | D♭ Major | 6 | 3B | 94 BPM | ||
| Body Double | Pilotpriest | G Major | 5 | 9B | 100 BPM | ||
| Saboteur | Amon Tobin | B Major | 5 | 1B | 152 BPM | ||
| Eyes Throat Genitals | Le Matos | C Minor | 7 | 5A | 90 BPM | ||
| Move Away from the Table | Cliff Martinez | D♭ Major | 4 | 3B | 101 BPM | ||
| Playtime Is Over | Le Matos | C Major | 8 | 8B | 110 BPM | ||
| They Didn't Touch Me | Cliff Martinez | B♭ Minor | 2 | 3A | 104 BPM | ||
| Wheels Within Wheels | Max Richter | D♭ Major | 2 | 3B | 120 BPM | ||
| First Transmission | Steve Jablonsky | D Major | 3 | 10B | 135 BPM |