"Suite in 3 Movements, Op. 64: II. Saraband" by Cyril Rootham, James Dutton, Oliver Davies had its release date on June 22, 2018. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in James Dutton, Oliver Davies's "Idyll" album is number 3 out of 21. Suite in 3 Movements, Op. 64: II. Saraband is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite in 3 Movements, Op. 64: II. Saraband by Cyril Rootham, James Dutton, Oliver Davies to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elgar: 3 Bavarian Dances, Op. 27a: No. 2, Lullaby | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | D Major | 1 | 10B | 73 BPM | ||
| Langsamer Satz (Arr. G. Schwarz for string orchestra) | Anton Webern, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 3 | 7B | 143 BPM | ||
| Masques et bergamasques Suite, Op. 112: I. Ouverture. Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F♯ Minor | 0 | 11A | 80 BPM | ||
| Ode on the Morning of Christ's Nativity: Introduction. Stanzas I-IV | Cyril Rootham, Philip Langridge, Trinity Boys Choir, BBC Concert Orchestra, Vernon Handley | E Minor | 2 | 9A | 141 BPM | ||
| Symphony No. 3 in E Flat Major, Op. 90: III. Menuetto. Moderato - Trio I - Trio II | Ferdinand Ries, Tapiola Sinfonietta, Janne Nisonen | E♭ Major | 0 | 5B | 174 BPM | ||
| Le tombeau de Couperin, M. 68: II. Fugue (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | G Major | 0 | 9B | 91 BPM | ||
| Masques et Bergamasques, suite, Op.112: 3. Gavotte | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 2 | 7A | 109 BPM | ||
| Falla: El sombrero de tres picos, Pt. 1: La tarde | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 0 | 9B | 91 BPM | ||
| Sally in Our Alley (Arr. For string orchestra) | Frank Bridge, English Northern Philharmonia, David Lloyd-Jones | G Major | 0 | 9B | 91 BPM | ||
| El sombrero de tres picos, Pt. 2: I. Danza de los vecinos | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 100 BPM | ||
| Florida Suite - IV. At Night - Remastered 2022 | Frederick Delius, Sir Thomas Beecham, Royal Philharmonic Orchestra | F Major | 1 | 7B | 79 BPM | ||
| Suite: Graceful Dance | Ernest Tomlinson, Royal Northern Sinfonia, David Lloyd-Jones | D Major | 3 | 10B | 133 BPM | ||
| Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM | ||
| Copland: Suite from Appalachian Spring: VII. Variations on a Shaker Hymn. Doppio movimento (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
| Symphony No. 1 in C Minor, Op. 86: I. Adagio - Allegro ritmico | Cyril Rootham, London Philharmonic Orchestra, Vernon Handley | C Major | 2 | 8B | 82 BPM | ||
| Serenade for Strings in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Orpheus Chamber Orchestra | F Minor | 0 | 4A | 124 BPM | ||
| Violin Concerto: II. Sonata | Maya Badian, Florin Paul, Romanian National Orchestra, Ludovic Bacs | G Minor | 2 | 6A | 94 BPM | ||
| Roussel: Le festin de l'araignée, Op. 17, Pt. 2: XIII. Funérailles de l'Éphémère | Albert Roussel, Jean Martinon, Orchestre National de l'O.R.T.F. | D♭ Major | 2 | 3B | 99 BPM | ||
| Vaughan Williams: Symphony No. 4 in F Minor: II. Andante moderato | Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra | F Minor | 0 | 4A | 139 BPM | ||
| Lekeu: Adagio pour quatuor d'orchestre, Op. 3 | Guillaume Lekeu, Armin Jordan, Orchestre Philharmonique de Monte-Carlo | C Major | 3 | 8B | 123 BPM | ||
| Roumanian Folk Dances for Orchestra, BB 76 (Sz. 68): 4. Horn Dance (from Bisztra) | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 1 | 10B | 170 BPM | ||
| Billy the Kid: No. 10, Billy's Funeral | Aaron Copland, Colorado Symphony, Andrew Litton | D Major | 0 | 10B | 92 BPM | ||
| The Birds, P. 154: IV. The Nightingale | Ottorino Respighi, Louis Lane, Atlanta Symphony Orchestra | D Major | 1 | 10B | 91 BPM | ||
| Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": I. Adagio - Allegro non troppo, Pt. 8 | Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 3 | 9A | 80 BPM | ||
| Elegie I. In Memoriam: Adagio | Lodewijk Mortelmans, Brussels Philharmonic, Silveer Vandenbroeck | G Major | 0 | 9B | 91 BPM |