"Calling The Whipper In" by Jonny Greenwood had its release date on November 12, 2021. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Calling The Whipper In's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Spencer (Original Motion Picture Soundtrack)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Calling The Whipper In's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Calling The Whipper In by Jonny Greenwood having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Drawings | Bobby Krlic | D Major | 1 | 10B | 80 BPM | ||
| The Smashing Machine | Nala Sinephro | A♭ Major | 0 | 4B | 131 BPM | ||
| The great globe itself | Max Richter | B♭ Major | 2 | 6B | 72 BPM | ||
| Medley: Weird Fishes/Pyramid Song/15-Step (Arr. A. Venet) | Thom Yorke, Jonny Greenwood, Colin Greenwood, Ed O'Brien, Philip Selway, Brant Blackard, Escape Ten | E Minor | 0 | 9A | 138 BPM | ||
| Pastorale | Brendan Eder Ensemble | B Major | 3 | 1B | 72 BPM | ||
| Done For The Night | Theodore Shapiro | D♭ Major | 3 | 3B | 136 BPM | ||
| Electric Counterpoint: II. Slow | Steve Reich, Jonny Greenwood | B Major | 4 | 1B | 96 BPM | ||
| Gustav | Hania Rani | C Major | 0 | 8B | 74 BPM | ||
| Bees | Jerskin Fendrix | B Major | 1 | 1B | 69 BPM | ||
| Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Thema - Titelmusik | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | F Major | 0 | 7B | 70 BPM | ||
| Halmeoni | Emile Mosseri | D♭ Major | 0 | 3B | 138 BPM | ||
| The Scape | Daniel Lopatin | F Minor | 6 | 4A | 150 BPM | ||
| Endless Superstition | Jonny Greenwood | D♭ Major | 2 | 3B | 98 BPM | ||
| Overture (László) | Daniel Blumberg | A Minor | 4 | 8A | 126 BPM | ||
| Library | Daniel Blumberg | A Minor | 4 | 8A | 126 BPM | ||
| Plan & Elevation: IV. The Orangery | Caroline Shaw, Attacca Quartet | A Major | 1 | 11B | 117 BPM | ||
| Morning Talk / Supersymmetry | Arcade Fire, Owen Pallett | A♭ Major | 2 | 4B | 70 BPM | ||
| Drive My Car (the important thing is to work) | Eiko Ishibashi | B Major | 4 | 1B | 132 BPM | ||
| Overture | Punch-Drunk Love | B♭ Major | 1 | 6B | 76 BPM | ||
| One Battle After Another | Jonny Greenwood | C Minor | 1 | 5A | 66 BPM | ||
| Blue Sky | Mirrored Glass | Ellen Reid, James McVinnie | D♭ Minor | 2 | 12A | 82 BPM | ||
| The Blessing | Bobby Krlic | D♭ Major | 3 | 3B | 72 BPM | ||
| Piano Two | Jon Brion | C Minor | 0 | 5A | 76 BPM | ||
| Fish Beach | Michael Nyman, Michael Nyman Band | B Minor | 2 | 10A | 100 BPM | ||
| 1957: award montage | Philip Glass, Kronos Quartet, Michael Riesman | C Minor | 1 | 5A | 97 BPM |