Transit's ' "Nothing Left To Lose" was released on its scheduled release date, October 21, 2014. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Transit's "Joyride" album is number 5 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Nothing Left To Lose's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Nothing Left To Lose by Transit to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Lost My Mind (In California) | The White Noise | C Major | 9 | 8B | 176 BPM | ||
| Memoir | Kayak Jones | B Major | 8 | 1B | 127 BPM | ||
| Long Lost Friends | Transit | G Major | 10 | 9B | 107 BPM | ||
| Face Value | With the Punches | C Major | 10 | 8B | 90 BPM | ||
| Double Helix | Knuckle Puck | F♯ Major | 10 | 2B | 101 BPM | ||
| Fair Warning | Dear Youth | B♭ Major | 3 | 6B | 80 BPM | ||
| Featherweight | WSTR | A♭ Major | 10 | 4B | 105 BPM | ||
| Sedatives | Like Pacific | A♭ Major | 8 | 4B | 148 BPM | ||
| Ache | Youth Fountain | B Minor | 8 | 10A | 90 BPM | ||
| Sunshine | Goalkeeper | E♭ Major | 9 | 5B | 92 BPM | ||
| Mountain | Homesafe | G Major | 10 | 9B | 160 BPM | ||
| Arrows | Fireworks | B♭ Major | 9 | 6B | 154 BPM | ||
| Distance (feat. Lynn Gunn) | A Loss For Words, Lynn Gunn | E♭ Major | 10 | 5B | 150 BPM | ||
| Strangest Example | Somos | A Major | 9 | 11B | 156 BPM | ||
| Better Way | bloom. | C Major | 8 | 8B | 98 BPM | ||
| Fade to Black | Northbound | D♭ Major | 9 | 3B | 138 BPM | ||
| Can You Count Suckers | Me Vs Hero | A♭ Major | 10 | 4B | 170 BPM | ||
| Punchline | WSTR | A♭ Major | 9 | 4B | 100 BPM | ||
| Late Bloomer | We Were Sharks, Ollie Baxxter | C Major | 10 | 8B | 148 BPM | ||
| Slip | Coldfront | A♭ Major | 9 | 4B | 150 BPM | ||
| Gates | The Menzingers | A♭ Major | 6 | 4B | 148 BPM | ||
| The Only One | Transit | D♭ Major | 8 | 3B | 82 BPM | ||
| Worried | Youth Fountain | E Major | 10 | 12B | 120 BPM | ||
| Sanity (Growing Up) | We Still Dream | E♭ Major | 6 | 5B | 97 BPM | ||
| Cold and Grey | City Lights | B Major | 9 | 1B | 185 BPM |