On February 1, 2021, the song "Bhagyadalakshmi Baramma" was released by V. K. Raman. This song is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The song is number 8 out of 8 in Bhagyadalakshmi Baramma (Flute) by V. K. Raman. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Bhagyadalakshmi Baramma is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Bhagyadalakshmi Baramma by V. K. Raman is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| JAY JAYTI JAY RAGHUVANSH | Hrdayeshsinh Rathod, RICHA ARYA | D Major | 5 | 10B | 140 BPM | ||
| Brahma Kadigina Paadamu | B.Ramana | G Major | 5 | 9B | 161 BPM | ||
| Ashleshadali | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| Ranganai Aadhi Andhanai | A. S. Adhvik Avanthiga, M Kamalakannan | C Minor | 7 | 5A | 110 BPM | ||
| Hanumantha Pahi | Narasimha Naik | A♭ Major | 4 | 4B | 171 BPM | ||
| Paalale | Mylai S. Rajendran & Party | D♭ Major | 3 | 3B | 159 BPM | ||
| Velava | Natakurunji Varnam | Ramana Balachandhran | Ramana Balachandhran | F Major | 4 | 7B | 78 BPM | ||
| Hanuman Chalisa Telugu | BhaktiVani-shree | G Minor | 3 | 6A | 108 BPM | ||
| Raghu Vamsha Deepa | Vidyabhushana, H. L. Sheshachandra | D♭ Major | 6 | 3B | 144 BPM | ||
| Ashtapadi in Odissi - Raag Des - Addha Teentaal | Ananth Kumar, Apoorva Deshpande, Chethan Anant, IndianRaga, Rishi Armstrong | E Major | 5 | 12B | 184 BPM | ||
| Theliyaleru Raama | Kadri Gopalnath | B Major | 4 | 1B | 110 BPM | ||
| Pavamana | Ganesh Desai, Vijay Krishna. D, Vijayadasaru | A Minor | 6 | 8A | 180 BPM | ||
| Indu Shukravara | V. K. Raman | B♭ Major | 5 | 6B | 96 BPM | ||
| Baa Baare Shivasati | K. Yuvaraj | D Minor | 5 | 7A | 80 BPM | ||
| Vyasa Prahalada | Puttur Narasimha Nayak | F Major | 2 | 7B | 170 BPM | ||
| Kande Kande Vadirajara | Sheshagiri Das Raichur | E♭ Major | 6 | 5B | 106 BPM | ||
| Honnina Therinali | S. Janaki, T.G. Lingappa, Chi. Udayashankar | F Minor | 4 | 4A | 164 BPM | ||
| लिंगाष्टकम | Sasidhar Darla | A Minor | 4 | 8A | 120 BPM | ||
| Eduve Nodiduve Bhookailasavu | K S Surekha, Lokesh Gowda, Annamayya Keerthana | G Minor | 7 | 6A | 95 BPM | ||
| Suprabhatha | Gowthami, Lavanya | A♭ Major | 3 | 4B | 84 BPM | ||
| Evvari Bhodhana - Abhogi - Adi | Suma Sudhindra, V. K. Raman | D Major | 7 | 10B | 156 BPM | ||
| Kurai Ondrum Illai - Veena Instrumental | RANJANIDEVI SARAVANAN, MANU PRASAD | F Minor | 5 | 4A | 75 BPM | ||
| Radhika Krishna - Vasanthi - Adi | V. K. Raman, S. V. Giridhar | B Major | 3 | 1B | 83 BPM | ||
| Kolaru Thiru Pathigam | Shantha Ranganathan | D Major | 7 | 10B | 87 BPM | ||
| Vaadiraja Munipa | Anantha Kulkarni | F♯ Major | 7 | 2B | 101 BPM |