P. ヒンデミット, 清水 直子(ヴィオラ), オズガー・アイディン(ピアノ)'s ' "ヴィオラ・ソナタ 作品25-4: II. Sehr langsame Viertel" was released on its scheduled release date, July 25, 2023. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in ヴィオラ・アマービレ, so we believe that "ヴィオラ・ソナタ 作品25-4: II. Sehr langsame Viertel" is a single. In terms of popularity, ヴィオラ・ソナタ 作品25-4: II. Sehr langsame Viertel is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of ヴィオラ・ソナタ 作品25-4: II. Sehr langsame Viertel by P. ヒンデミット, 清水 直子(ヴィオラ), オズガー・アイディン(ピアノ) is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Konzertstück op.113 for Basset Horn, Clarinet and Piano - Arr. Rainer Schottstadt: 3. Presto | Felix Mendelssohn, The Clarinotts, Wiener Virtuosen Streichensemble | F Major | 2 | 7B | 85 BPM | ||
| 調子の良い鍛冶屋 | George Frideric Handel, 児玉隼人 | F Major | 2 | 7B | 67 BPM | ||
| Concerto in 1 movement (arr. A. Ostrander) | Alexey Konstantinovich Lebedev, Allen Ostrander, David Zerkel, Paolo Andre Gualdi | A Major | 0 | 11B | 68 BPM | ||
| Nielsen: Wind Quintet, Op. 43: I. Allegro ben moderato | Carl Nielsen, Emmanuel Pahud, Sabine Meyer, Jonathan Kelly, Stefan Schweigert, Radek Baborák | B Minor | 0 | 10A | 90 BPM | ||
| Dances: No. 2, Passacaglia | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | E Minor | 1 | 9A | 64 BPM | ||
| Rustiques | Eugène Bozza, Eric Aubier, Pascal Godart | F Major | 1 | 7B | 170 BPM | ||
| Escenas | Gabriel Bouche Caro, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
| Hindemith: Flute Sonata: I. Heiter bewegt | Paul Hindemith, Emmanuel Pahud, Eric Le Sage | F♯ Major | 0 | 2B | 71 BPM | ||
| Damase: Berceuse pour cor et piano, Op. 19 | Jean-Michel Damase, David Pyatt, Martin Jones | B♭ Major | 0 | 6B | 69 BPM | ||
| Poulenc: Clarinet Sonata, FP 184: II. Romanza | Francis Poulenc, Sabine Meyer | G Minor | 0 | 6A | 67 BPM | ||
| Theme and Explorations for Orchestra: II. Hiding in the Woods | Dave Brubeck, Chris Brubeck, The Moores Symphony Orchestra, Franz Anton Krager | E♭ Major | 1 | 5B | 77 BPM | ||
| River of Crystal Light | Peter Lieuwen, Texas Music Festival Orchestra, David Campbell, Franz Anton Krager, Moores School Symphony Orchestra | D♭ Major | 2 | 3B | 140 BPM | ||
| Messiaen: Vingt Regards sur l'Enfant Jésus: (Le Baiser de l'Enfant Jésus): II. Modéré | Alison Balsom, Guy Barker Orchestra, Tim Redmond | A♭ Minor | 1 | 1A | 92 BPM | ||
| La fille aux cheveux de lin [The Girl with the Flaxen Hair]: (Debussy) | Joseph Alessi | F Major | 0 | 7B | 69 BPM | ||
| Violin Concerto No. 2 in D Minor, Op. 61: II. Andantino sostenuto | Karol Szymanowski, Warmia Symphonic Orchestra, Silvano Frontalini, Beatrice Antonionini | A♭ Major | 4 | 4B | 103 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Horn Concerto in B flat, Op. 91: 2. Andante | Reinhold Glière, Hermann Baumann, Gewandhausorchester, Kurt Masur | E♭ Major | 0 | 5B | 62 BPM | ||
| Die Dreigroschenoper: Overture (Arr. for Double Bass, Piano & Accordion by Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, William Vann, Murray Grainger, Marianne Schofield | E Minor | 1 | 9A | 64 BPM | ||
| Brass Quintet No. 2, Op. 6: I. Allegro risoluto | Victor Ewald, Stockholm Chamber Brass | E♭ Major | 0 | 5B | 71 BPM | ||
| Organ Concerto in G Minor, FP 93: IV. Tempo allegro. Molto agitato | Francis Poulenc, Philippe Lefebvre, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Minor | 0 | 3A | 133 BPM | ||
| Silent Tears | Orithia | A Minor | 0 | 8A | 76 BPM | ||
| Sonata Santera: III. Bembe | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Prairie Light, 3 Texas Watercolors of Georgia O'Keeffe: III. Starlight Night | Dan Welcher, Honolulu Symphony Orchestra, Donald Johanos | A Major | 0 | 11B | 120 BPM | ||
| Ballard Justice | Valen Rosset | E Minor | 1 | 9A | 64 BPM |