"Yira Yira" by Raul Garello had its release date on January 1, 2004. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Yira Yira's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Serie De Oro". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Argentina. Yira Yira is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Yira Yira by Raul Garello having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Todo o nada - Instrumental | Fabio Hager Sexteto | D Minor | 5 | 7A | 135 BPM | ||
| Tangos Clásicos - Remastered 2025 | Raul Garello | A Minor | 3 | 8A | 119 BPM | ||
| Pavadita | Sexteto Fantasma | C Major | 5 | 8B | 120 BPM | ||
| Farolito Viejo | Héctor Varela y su Orquesta Típica, Armando Laborde | C Major | 2 | 8B | 117 BPM | ||
| Maquillaje | Orquesta Típica Fernández Fierro | C Minor | 3 | 5A | 114 BPM | ||
| Buenos Aires Conoce | Alfredo Abalos, Nicolás Colacho Brizuela, Juan E. Romero, Martín Abalos Santillán, Ruben Lobo, Raul Garello | F Major | 3 | 7B | 83 BPM | ||
| Duerme mi niña | Orquesta Rodolfo Biagi, Mario Canaro, Víctor Prestipino | A Minor | 3 | 8A | 120 BPM | ||
| Melancolico Buenos Aires | Sexteto Mayor | D Minor | 3 | 7A | 131 BPM | ||
| Novia Provinciana | Carlos Di Sarli y su Orquesta Típica | C Major | 4 | 8B | 95 BPM | ||
| Salgán & de Lío: Aquellos tangos camperos | Daniel Barenboim, Rodolfo Mederos, Héctor Console | G Major | 3 | 9B | 104 BPM | ||
| Lalo | Raul Garello | E Major | 2 | 12B | 94 BPM | ||
| Orillera | Quinteto Pirincho | C Major | 6 | 8B | 109 BPM | ||
| Inolvidable | Jorge Falcón | G Major | 3 | 9B | 117 BPM | ||
| Malena | Conjunto Berretin | D Major | 2 | 10B | 114 BPM | ||
| Tango encontrado en una habitación vacía | Noelia Moncada, Raul Garello | C Minor | 1 | 5A | 82 BPM | ||
| No Quiero Ni Acordarme | Nina Miranda, Donato Racciatti y Su Orquesta Típica | C Major | 4 | 8B | 136 BPM | ||
| Rosas Negras | Francisco Lomuto, Fernando Diaz | F Major | 4 | 7B | 107 BPM | ||
| Cancion desesperada | Enrique Santos Discépolo | F Minor | 2 | 4A | 100 BPM | ||
| Somos Como Somos | Eladia Blazquez | C Major | 3 | 8B | 81 BPM | ||
| Y a Mí Qué | María José Mentana, Raul Garello | A Major | 3 | 11B | 74 BPM | ||
| El Taita | Fulvio Salamanca | F Minor | 4 | 4A | 126 BPM | ||
| Mañana Ire Temprano | Rubén Juárez, Leopoldo Federico | C Minor | 3 | 5A | 120 BPM | ||
| Tango de Medianoche | Breneli R | A Major | 5 | 11B | 120 BPM | ||
| Milonga de mis amores - Estilo Pedro Laurenz | SEXTETO VISCERAL | A Major | 6 | 11B | 106 BPM | ||
| Te Estaba Esperando | Osvaldo Pugliese y su Orquesta | F♯ Major | 2 | 2B | 83 BPM |