Anonymous, La Reverdie's ' "Qui vult psallere" was released on its scheduled release date, January 1, 1993. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "O tu chara sciença: La musique dans la pensée médiévale". In this album, this song's track order is #6. In terms of popularity, Qui vult psallere is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Qui vult psallere by Anonymous, La Reverdie having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Noël - Messe de minuit : Dominus dixit ad me | Chœur de l'abbaye Notre-Dame de Timadeuc, Père Fabien | E Major | 0 | 12B | 89 BPM | ||
| Um Vergebung Der Schuld | Cantarte Regensburg | G Minor | 1 | 6A | 75 BPM | ||
| Sidus Mirabile | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Traditional, Anonymous, Choeur des moines de l'abbaye Notre Dame de Fontgombault | A Minor | 0 | 8A | 140 BPM | ||
| Harmonia Novissimae Serenitatis | Cherubika | B Minor | 0 | 10A | 71 BPM | ||
| Tantum ergo, WAB 32 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
| Gloria V - In Nativitate Domini ad Missam in die | Gregorian Chant, Schola of the Hofburgkapelle, Vienna, Hubert Dopf S.J. | B Minor | 0 | 10A | 84 BPM | ||
| Silens Benedictionis | Monges Beneditinos, The Benedictine Monks of Worth Abbey, Gregorian Chant Schola of Saint Meinrad Archabbey | E Minor | 0 | 9A | 126 BPM | ||
| Tsalandè | L'Accroche-Choeur, Ensemble Vocal Fribourg | A♭ Major | 1 | 4B | 63 BPM | ||
| Miserere: Tibi soli | Gregorio Allegri, Chorus Sine Nomine, Michael Krenn, Johannes Hiemetsberger | B♭ Major | 1 | 6B | 131 BPM | ||
| Dilexisti iustitiam: Graduel - Graduel de Paris | Anonymous, Brigitte Lesne, Discantus | B Minor | 0 | 10A | 74 BPM | ||
| Missa Iste confessor domini: Kyrie Ib | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | D♭ Major | 1 | 3B | 131 BPM | ||
| Gloria Fidei | Monks of Ampleforth Abbey | D♭ Major | 1 | 3B | 84 BPM | ||
| Messe brève No. 7: IV. O Salutaris Hostia | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D♭ Major | 2 | 3B | 97 BPM | ||
| Your Name | Eikona, Choirs Of Annunciation Byzantine Catholic Church, Monastery Choir of St. John of San Francisco, Isauria | A♭ Minor | 0 | 1A | 95 BPM | ||
| La Messe: Alleluia "Assumpta est Maria" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | E♭ Major | 1 | 5B | 130 BPM | ||
| Our Lady of Sorrows | Mater Dei Seminary | B Major | 1 | 1B | 172 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Resonemus hoc natali | Anon. St. Martial, Anonymous, Theatre Of Voices, Paul Hillier | F♯ Minor | 1 | 11A | 187 BPM | ||
| Po upadku człowieka grzesznego | Schola dominikańska | D Minor | 1 | 7A | 98 BPM | ||
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| Spirit of the Seven Stars, a Cherokee Tale: V. The Story of Shenandoah | Kairos Chamber Singers, Tim McCracken III | E Minor | 3 | 9A | 89 BPM | ||
| Missa in A Major: IV. Sanctus - Benedictus | Miklós Kocsár, Cantemus Children Choir, Pro Musica, Szabó Dénes | D♭ Major | 1 | 3B | 108 BPM | ||
| Vidimus Stellam: III. Hodie Christus Natus Est | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | D Major | 1 | 10B | 69 BPM | ||
| Gloria, JD 11: Gloria a 4, JD 11 | John Dunstable, Tonus Peregrinus, Antony Pitts | D♭ Major | 2 | 3B | 85 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM |