J. Robinson, Shima, MC Info's 'The Cut VIP' had a release date set for March 12, 2012. This song is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. There are a total of 2 in the song's album "The Cut". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. The popularity of The Cut VIP is currently unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With The Cut VIP by J. Robinson, Shima, MC Info having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wesley: Jesu, Lover of My Soul (Hollingside) - 2. Other Refuge Have I None | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | E♭ Major | 1 | 5B | 95 BPM | ||
| Lamentatio: Lamentatio Jeremia Prophetae | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | D♭ Minor | 0 | 12A | 105 BPM | ||
| Hereford "O Thou Who Camest from Above" | Samuel Sebastian Wesley, Choir of Keble College, Oxford, Mark Laflin, Gavin Plumley | E♭ Major | 1 | 5B | 77 BPM | ||
| Babylon Informer | J. Robinson, Shima | D♭ Minor | 9 | 12A | 174 BPM | ||
| Psalm 34 | Anon, Salisbury Cathedral Choir, Simon Lole | A♭ Major | 1 | 4B | 90 BPM | ||
| Lamentations Ieremiae Prophetae: Bonum est praestolari | Alonso Lobo, Tenebrae, Nigel Short | B Minor | 1 | 10A | 126 BPM | ||
| Sweet Babe Wrapt in Twilight Shade | Quire of Voyces | E Major | 2 | 12B | 59 BPM | ||
| O Purest Of Creatures | Unknown, Choir Of St Bede's RC Church, Jarrow, Gerard McNally | E♭ Major | 3 | 5B | 78 BPM | ||
| Psalm 148: Psalm CXLVIII | Thomas Attwood Walmisley, Michael Bloss, Choir of St John's, Elora, Noel Edison | B♭ Major | 1 | 6B | 82 BPM | ||
| Psalm 39: I said, I will take heed to my ways | James Turle, The Choir Of Westminster Abbey, Martin Neary | D Major | 0 | 10B | 129 BPM | ||
| O Jesus, Thou My Comfort Sweet SHZ 496 | Laestadian Lutheran Church, Laurel Loukusa, Liisa Keranen | F Major | 2 | 7B | 82 BPM | ||
| All-night Vigil, Op. 37: No. 8, Praise the Name of the Lord | Sergei Rachmaninoff, Latvijas Radio koris, Sigvards Kļava | A♭ Major | 1 | 4B | 89 BPM | ||
| Evening Service in G Minor, Z. 231: No. 2, Nunc dimittis | Henry Purcell, Trinity Hall Chapel Choir, Cambridge, Andrew Arthur | A Minor | 1 | 8A | 79 BPM | ||
| Evening Service in B Minor, Op. 6: II. Nunc dimittis | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | A Major | 2 | 11B | 67 BPM | ||
| Tidal | Cern, J. Robinson | D Major | 8 | 10B | 120 BPM | ||
| Kazimierz - A Story of Love and Destiny: A Story of Old | William Goldstein, Łukasz Hajduczenia, Ewa Leszczyńska, Lilianna Krych, Lublin Philharmonic Symphony Orchestra | F Major | 2 | 7B | 89 BPM | ||
| Father All-Holy | Basilica of the National Shrine of the Immaculate Conception Choir | A♭ Major | 2 | 4B | 88 BPM | ||
| Psalm 122: Psalm CXXII | Richard Woodward, Michael Bloss, Choir of St John's, Elora, Noel Edison | A Major | 1 | 11B | 79 BPM | ||
| Love Divine, All Loves Excelling | Harmonious Chorale Ghana | D♭ Minor | 6 | 12A | 108 BPM | ||
| Officium Divinum, Midday Prayer: No. 6, The Real Presence | Margaret Rizza, Convivium Singers, David Price, Dominika Fehér, Richard Phillips, Eamonn Dougan | A♭ Major | 0 | 4B | 71 BPM | ||
| Out of This Darkness: No. 1, I Hold You | John Wykoff, Missouri State University Chorale, Cameron F. LaBarr, Parker Payne | C Major | 2 | 8B | 76 BPM | ||
| Cherubic Hymn & That We May Receive | Roman Hurko | C Minor | 1 | 5A | 89 BPM | ||
| Messa sesta pro defunctis: II. Te decet hymnus - Kyrie | Ignatio Donati, Gruppo madrigalistico del Conservatorio di Como, Schola cantorum del Conservatorio di Como, Antonio Eros Negri, Coro Polifonico del Conservatorio di Como | F Major | 3 | 7B | 81 BPM | ||
| Antiphonae: Domun Tuam. Domus Mea. Haec Est. Bene Fundata. Lapides Pretiosi | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | D♭ Major | 1 | 3B | 130 BPM | ||
| Moth To The Light | DBR UK, J. Robinson, Jett | D♭ Minor | 7 | 12A | 175 BPM |