Francisco Tárrega, Narciso Yepes's 'La Alborada: Capriccio' had a release date set for January 1, 1971. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Nachte In Spanischen Garten". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Based on our statistics, La Alborada: Capriccio's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Alborada: Capriccio by Francisco Tárrega, Narciso Yepes having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Se Ela Pergunta | Dilermando Reis, Xuefei Yang | E Minor | 0 | 9A | 138 BPM | ||
| Estudio de trémolo | Joaquin Clerch, Andrea González Caballero | E Minor | 0 | 9A | 94 BPM | ||
| Cueca chilena | Antonio Lauro, Victor Villadangos | G Minor | 1 | 6A | 139 BPM | ||
| 2 Thème Variées and 12 Menuets, Op. 11: No. 2, Menuet in G Minor | Joseph Sullinger | G Minor | 2 | 6A | 134 BPM | ||
| Cançó i dansa No. 10 (Version for Guitar): II. Dansa. Amabile | Federico Mompou, Eugenio Della Chiara | D Major | 2 | 10B | 109 BPM | ||
| 3 Piezas Rioplatenses: Don Julian | Maximo Diego Pujol, Victor Villadangos | C Major | 1 | 8B | 150 BPM | ||
| Phantasia in D Minor | David Kellner, Émilie Fend | D Major | 0 | 10B | 73 BPM | ||
| Cradle Song | Sergio Assad | D Major | 1 | 10B | 89 BPM | ||
| 25 Etudes, Op.60: No.13 | Matteo Carcassi, Paco Hallak | A Major | 2 | 11B | 84 BPM | ||
| Lagrima : Lagrima | Norbert Kraft | E Major | 0 | 12B | 76 BPM | ||
| Concerto Magna Carta: Cadenza | Xuefei Yang, Clark Rundell | E Minor | 1 | 9A | 126 BPM | ||
| Elegie: Elegy | Johann Kaspar Mertz, Gabriel Bianco | A Minor | 0 | 8A | 133 BPM | ||
| Spanish Dance No. 5 | John C. Williams | E Major | 1 | 12B | 114 BPM | ||
| 6 Schubertian Songs (arr. J. Mertz for guitar): Winterreise, Op. 89, D. 911: No. 13. Die Post (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | G Major | 1 | 9B | 99 BPM | ||
| Schwanengesang, D. 957: No. 1. Liebesbotschaft (Love's Messenger) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | G Major | 1 | 9B | 99 BPM | ||
| 5 Bagatelles: III. Alla Cubana | William Walton, Ana Vidović | B Minor | 1 | 10A | 74 BPM | ||
| Arpeggione Sonata in A Minor, D. 821 (Arr. J. Williams for Guitar and Orchestra): II. Adagio | Franz Schubert, John C. Williams, Richard Tognetti, Australian Chamber Orchestra | B Major | 0 | 1B | 51 BPM | ||
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Fugue No. 4 in E Major (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | D Major | 2 | 10B | 92 BPM | ||
| Asturias | Heike Matthiesen | G Major | 1 | 9B | 104 BPM | ||
| Bardenklange, Op. 13: Book 3: No. 3. Capriccio | Johann Kaspar Mertz, Gabriel Bianco | D Minor | 1 | 7A | 152 BPM | ||
| La Frontera de Dios: II. Meditacion | Regino Sáinz de la Maza, Franz Halász | B Minor | 1 | 10A | 115 BPM | ||
| Suite, Castellana: II "Arada" | Federico Moreno Torroba, Alexander-Sergei Ramírez | D Minor | 0 | 7A | 94 BPM | ||
| Albéniz: Suite Española No.1, Op. 47, Sevilla | Ana Vidović | C Major | 3 | 8B | 105 BPM | ||
| Bardenklange, Op. 13: Romanze: Andante | Johann Kaspar Mertz, Adam Holzman | E Minor | 0 | 9A | 132 BPM | ||
| Torija | Federico Moreno Torroba, Shiri Coneh | D Major | 1 | 10B | 76 BPM |