Lalitya Munshaw's ' "Shivaji Nu Halardu - Contemproary Folk Lullabies" was released on its scheduled release date, October 19, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Lalitya Munshaw's "Halarda" album is number 10 out of 10. On top of that, Austria appears to be the country where this track was created. In terms of popularity, Shivaji Nu Halardu - Contemproary Folk Lullabies is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Shivaji Nu Halardu - Contemproary Folk Lullabies by Lalitya Munshaw to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mumbai Thi Gaadi Aavi Re | Pamela Jain | D♭ Minor | 10 | 12A | 108 BPM | ||
| Jamunane Kathe Kano Vasdi | Achal Maheta | C Major | 3 | 8B | 102 BPM | ||
| Aevu Shree Vallabh Prabhunu Naam | Master Rana | C Minor | 5 | 5A | 144 BPM | ||
| Arhanto Bhagwant | SRMD Bhakti | F♯ Major | 4 | 2B | 88 BPM | ||
| Pheriwala | Nachiketa Chakraborty | G Minor | 5 | 6A | 110 BPM | ||
| Kshamapna | SRMD Bhakti | G Major | 3 | 9B | 104 BPM | ||
| Birajo Bajoth Dhali - Original | Jignesh Dada, NA | A♭ Major | 4 | 4B | 117 BPM | ||
| Sarangpur Na Dhame Joya Kashtbhanjan Dev | Lalita Ghodadra, Arvind Barot | A♭ Major | 5 | 4B | 175 BPM | ||
| Shri Krishna Sharanam Mamah- A | Ashit Desai | F♯ Minor | 6 | 11A | 79 BPM | ||
| Vishwambhari Akhil Vishwa Tani - Stuti | Koras | C Major | 4 | 8B | 143 BPM | ||
| Ramva Aavo Ne Raas | Aditya Gadhvi | B Minor | 2 | 10A | 69 BPM | ||
| sakatore kandiche sakole | Sahana Bajpaie | D Major | 7 | 10B | 162 BPM | ||
| Khone Khone Mone Mone | Jayati Chakrahborty | B Minor | 4 | 10A | 146 BPM | ||
| Tumi Nirmolo koro | Chandrabali Rudra Dutta | E♭ Minor | 5 | 2A | 138 BPM | ||
| Cycle Mari Sarara | Bindi na Balgeeto, Bindi Mahesh | A Minor | 5 | 8A | 88 BPM | ||
| Ghum Ase Jai | Sananda Ghosh Majumdar | A♭ Major | 7 | 4B | 95 BPM | ||
| Mangaldeep Jaliye Thakur | Mahesh Ranjan Shome | F♯ Minor | 7 | 11A | 150 BPM | ||
| Vijali Ne Chamkare Motida Parovo Re Panbai | Lalita Ghodadra | B♭ Major | 7 | 6B | 101 BPM | ||
| Rodono Bhora E Bosonto | Srabani Sen | A♭ Major | 4 | 4B | 146 BPM | ||
| Mandvada Ma | Lagna Geet Chorus | D♭ Major | 8 | 3B | 94 BPM | ||
| Alo Aamar Alo | Indrani Sen | B♭ Major | 5 | 6B | 145 BPM | ||
| Akash Bhara Surya Tara | Sourendro-Soumyojit, Ajoy Chakrabarty | D♭ Major | 3 | 3B | 144 BPM | ||
| Sundari Radhe | Pousali Banerjee | G Major | 4 | 9B | 97 BPM | ||
| Dikro Maro Ladkvayo | Manhar Udhas | D♭ Minor | 4 | 12A | 201 BPM | ||
| Shyama Ma Ki Amar Kalo | Kumar Sanu | A Major | 2 | 11B | 109 BPM |