Tim Brown's 'Interlude- Open to Interpretation (feat. Sara Parker)' had a release date set for June 15, 2011. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Tim Brown & Friends". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Interlude- Open to Interpretation (feat. Sara Parker) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Interlude- Open to Interpretation (feat. Sara Parker) by Tim Brown having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lux Aeterna: O Nata Lux | Morten Lauridsen, Jörg Halubek, Chamber Choir Of Europe, Nicol Matt | F♯ Major | 0 | 2B | 127 BPM | ||
| As I Kneel Before You | Ad Hoc Choir | F♯ Major | 2 | 2B | 85 BPM | ||
| Wolvercote "O Jesus, I Have Promised" | William Harold Ferguson, The Choir of Christ's College, Cambridge, Alexandra Jobling, David Rowland | B♭ Major | 2 | 6B | 88 BPM | ||
| Ave Maria: II. | Henrik Colding-Jørgensen, Brunnsbo Music Classes Children's Choir, Anne Johansson | A Minor | 1 | 8A | 160 BPM | ||
| Windham/Kedron - the First Word | Jane Hawes | B Major | 4 | 1B | 68 BPM | ||
| St. Paul's Psalter: Haste Thee, O God, to Deliver Me (Psalm 70) | William Hine, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 126 BPM | ||
| O Lord, we sing thy praise | Johann Sebastian Bach, The Choir Of Trinity College, Cambridge | D Major | 1 | 10B | 74 BPM | ||
| With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
| Lift High The Cross | The Festival Choir and Hosanna Chorus | G Major | 3 | 9B | 69 BPM | ||
| Ave verum corpus in E-Flat Major | Camille Saint-Saëns, Convivium Singers, Neil Ferris | E♭ Major | 0 | 5B | 77 BPM | ||
| I Owe My Lord a Morning Song | John Bell, The Cathedral Singers | C Minor | 2 | 5A | 34 BPM | ||
| Missa Quadragesimalis, MH 552: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 78 BPM | ||
| O Mensch, bewein dein Sünde gross | Caspar Othmayr, Vox Luminis, Lionel Meunier, Haru Kitamika | F Major | 1 | 7B | 95 BPM | ||
| Psalm 31 "In Thee, O Lord, Have I Put My Trust" | Edgar Frederick Day, Herbert Stanley Oakeley, Kellow John Pye, Ely Cathedral Choir, David Price, Paul Trepte | A♭ Major | 2 | 4B | 101 BPM | ||
| Litany of Catechumens - N. Kedrov | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | F Major | 0 | 7B | 95 BPM | ||
| Sweet the Nails | The Singing Nuns | E Minor | 1 | 9A | 76 BPM | ||
| Lord, As I Close My Eyes to Rest SHZ 512 | Laestadian Lutheran Church, Kaitlyn Huhta, Laurel Loukusa, Liisa Keranen, Matthew Keranen, Karen McAdams, Jake Muhonen, Ashley Niemela | G Minor | 2 | 6A | 71 BPM | ||
| You Have Not Forgotten Me | Sumphonia | F♯ Major | 2 | 2B | 98 BPM | ||
| Cantate Domino | Claudio Monteverdi, VOCES8 | B♭ Minor | 1 | 3A | 151 BPM | ||
| Blessed Is He Whose Unrighteousness Is Forgiven (Psalm 32) | John Jones, Gloriae Dei Cantores, Elizabeth C. Patterson | A♭ Major | 1 | 4B | 106 BPM | ||
| Jesu Salvator Mundi | The Singing Nuns | E♭ Minor | 0 | 2A | 84 BPM | ||
| We Adore You, O Christ | Richard T Proulx, The Compline Choir, Jason A. Anderson | G Major | 0 | 9B | 87 BPM | ||
| When All Thy Mercies | The Guilford Cathedral Choir | A♭ Major | 2 | 4B | 85 BPM | ||
| Thy Hand, O God Has Guided | Blackburn Cathedral Choir, Greg Morris | D Major | 1 | 10B | 106 BPM | ||
| Psalm 10 "Why Standest Thou So Far Off, O Lord" | Percy C. Buck, Robert Ashfield, Rochester Cathedral Choir, Roger Sayer, Barry Ferguson | C Major | 1 | 8B | 79 BPM |