T-SQUARE's ' "RAINY DAY, RAINY HEART" was released on its scheduled release date, April 21, 1993. This song is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. The track order of this song in T-SQUARE's "HUMAN" album is number 2 out of 8. On top of that, Japan appears to be the country where this track was created. In terms of popularity, RAINY DAY, RAINY HEART is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of RAINY DAY, RAINY HEART by T-SQUARE to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| BACK STREET JIVE - 2019 Remaster | PRISM | C Major | 7 | 8B | 157 BPM | ||
| Buena Vista | THE JAZZ AVENGERS | C Major | 8 | 8B | 120 BPM | ||
| After Fiver | DIMENSION | F Major | 8 | 7B | 93 BPM | ||
| Airflow | Kaori Kobayashi | G Major | 7 | 9B | 110 BPM | ||
| 199X | Kazumi Watanabe | E Minor | 5 | 9A | 105 BPM | ||
| CHARCOAL BREAK | NANIWA EXPRESS | B♭ Major | 6 | 6B | 103 BPM | ||
| ハワイへ行きたい | T-SQUARE | G Major | 2 | 9B | 95 BPM | ||
| 踊ろよ、フィッシュ | ビクター・ファンタスティック・オーケストラ | C Major | 7 | 8B | 123 BPM | ||
| アイル・ビー・ゼア | Kazumi Watanabe, Akiko Yano | A Minor | 6 | 8A | 93 BPM | ||
| Headin' to Laguna Beach | Satoshi Bandoh | A Major | 9 | 11B | 115 BPM | ||
| WE'LL NEVER HAVE A TROUBLE | T-SQUARE | B♭ Major | 6 | 6B | 131 BPM | ||
| FACES 1994 Re-Mix Version | T-SQUARE and FRIENDS | D Minor | 9 | 7A | 148 BPM | ||
| CHILLON-WELCOME - Re-Take | Naoya Matsuoka | F Major | 8 | 7B | 108 BPM | ||
| Bahia Funk - Remastered | Lee Ritenour | A♭ Major | 9 | 4B | 107 BPM | ||
| コロナ | Minoru Mukaiya | C Major | 5 | 8B | 130 BPM | ||
| Light Jazz Tonight | Lucas Galarza | B Minor | 7 | 10A | 120 BPM | ||
| WALKING AT BAY SIDE〔M-15〕 | 志熊研三 | C Major | 4 | 8B | 101 BPM | ||
| Red Express - Organic ver. | かつしかトリオ | C Minor | 6 | 5A | 130 BPM | ||
| DESTINATION | T-SQUARE | D Minor | 0 | 7A | 85 BPM | ||
| Groovin' | 山岸潤史 | E Major | 9 | 12B | 104 BPM | ||
| FLIGHT IN MISTRAL | 伊東たけし | D Major | 5 | 10B | 103 BPM | ||
| ORIENTAL MAKIN' LOVE | NANIWA EXPRESS | D Minor | 9 | 7A | 114 BPM | ||
| NAO | Sadistics | F Major | 9 | 7B | 165 BPM | ||
| ユニコーン | Kazumi Watanabe | F Major | 7 | 7B | 122 BPM | ||
| DAYTONA BEACHWAY | Masaru Imada, 今田あきら, Toshiyuki Honda | D Minor | 7 | 7A | 115 BPM |