"The Lunch Table" by Hans Zimmer had its release date on October 10, 2025. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 20 in Eden (Original Motion Picture Soundtrack) by Hans Zimmer. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Lunch Table is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Lunch Table by Hans Zimmer is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Agony and Passion | Calibro 35 | D Major | 8 | 10B | 100 BPM | ||
| Mycogen | Bear McCreary, Sparks & Shadows | C Minor | 1 | 5A | 79 BPM | ||
| Heart of the Desert | NCSOUND | G Major | 9 | 9B | 138 BPM | ||
| Ongoing Tension | Calibro 35 | D Major | 8 | 10B | 100 BPM | ||
| Intruders | Ben Salisbury, Suvi-Eeva Äikäs | E Major | 2 | 12B | 71 BPM | ||
| Blood Cells of the Salish Sea, Pt. 1 | Julien Verschooris | F♯ Minor | 0 | 11A | 65 BPM | ||
| Frecuencia de Liberación de Ansiedad Nocturna | ThetaHERTZ | B♭ Major | 0 | 6B | 70 BPM | ||
| Andriivka | Sam Slater | B♭ Minor | 2 | 3A | 91 BPM | ||
| Really Old Nick | Hildur Guðnadóttir | E Major | 2 | 12B | 71 BPM | ||
| Approaching Sacra | Jason Graves | F Major | 2 | 7B | 170 BPM | ||
| The Tunnels | Joel Bille, Bortre Rymden | B♭ Major | 2 | 6B | 90 BPM | ||
| Chosen Family | Sarah Schachner | D Major | 2 | 10B | 119 BPM | ||
| Muscle and Machine (Constructs) | Scott Buckley | E Major | 2 | 12B | 71 BPM | ||
| The Missing Hikers | Cornel Wilczek | D Major | 2 | 10B | 69 BPM | ||
| Lonely Heath | Hans Zimmer, Aleksey Igudesman, Alexandr Misko | G Major | 1 | 9B | 101 BPM | ||
| Species | Marcel Barsotti | F Minor | 1 | 4A | 78 BPM | ||
| Midnight Song - Wind Ambience | Violin Sky | A Major | 5 | 11B | 36 BPM | ||
| Karsh | Howard Shore | C Major | 1 | 8B | 145 BPM | ||
| Devil Container | Binaural Dreams | E Major | 2 | 12B | 71 BPM | ||
| Crucible of Sand | Knut Avenstroup Haugen, The Chamber Orchestra Of London | A♭ Major | 5 | 4B | 80 BPM | ||
| Letters Home | Hans Zimmer | A Minor | 5 | 8A | 115 BPM | ||
| THE 9TH CENTURY B.C VII | PROVISIONEDBEATS | E Major | 2 | 12B | 71 BPM | ||
| The Last Breath | Takashi Ohmama, Matthias Bartolomey, Stan Li | G Major | 3 | 9B | 106 BPM | ||
| She's Mine | Germaine Franco | A Minor | 1 | 8A | 84 BPM | ||
| Saima | James Everingham | F Minor | 0 | 4A | 83 BPM |