"あざみの歌" by 蒲原史子 had its release date on May 20, 2000. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 花・ジャパネスク, so we believe that "あざみの歌" is a single. あざみの歌 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of あざみの歌 by 蒲原史子 is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| リラの花 | 蒲原史子 | B♭ Major | 0 | 6B | 79 BPM | ||
| Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
| Tu lo sai | Giuseppe Torelli, Holly Bewlay, Sarah Rhee | E Major | 1 | 12B | 67 BPM | ||
| Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
| Eugene Onegin, Op. 24, TH.5 / Act 1: "Slikhali l vi za roschei glas nochnoi" | Pyotr Ilyich Tchaikovsky, Nuccia Focile, Sarah Walker, Olga Borodina, Irina Arkhipova, Orchestre de Paris, Semyon Bychkov | A Major | 1 | 11B | 133 BPM | ||
| Cavalleria rusticana: Intermezzo | Pietro Mascagni, Prague Chamber Orchestra, Bretislav Novotny | G Major | 1 | 9B | 79 BPM | ||
| Rêverie: Pour calmer ma détresse | Manuel Rosenthal, Julie Roset, Susan Manoff | D Major | 1 | 10B | 62 BPM | ||
| Bizet: Petite suite des "Jeux d'enfants", Op. 22, WD 39: IV. Duo "Petit mari, petite femme" | Georges Bizet, Alexander Gibson, Scottish National Orchestra | D Major | 1 | 10B | 62 BPM | ||
| さくら横ちょう | 蒲原史子 | B♭ Major | 0 | 6B | 79 BPM | ||
| Messa di Gloria: Et resurrexit | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Komm! Hebe dich zu höhern Sphären! | Gustav Mahler, Marta Boberska, Timothy Bentch, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | E♭ Major | 1 | 5B | 85 BPM | ||
| Mazeppa, TH 7 / Act 3: "Spi, mladyenits moy prekrasniy" (Maria's Lullaby) | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Major | 1 | 3B | 76 BPM | ||
| Seydelmann: Il Turco in Italia, Act 1: "Girate quel guardo" (Selim) | Franz Seydelmann, Bruno de Sá, Jarosław Thiel, Wrocław Baroque Orchestra | B♭ Major | 1 | 6B | 120 BPM | ||
| Carmen, Act I: Scene & Chorus. Sur la place chacun passe | Georges Bizet, Mikael Melbye, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | B♭ Major | 0 | 6B | 97 BPM | ||
| 2つの悲しき旋律 作品34 II₋過ぎた春 | エドヴァルド・グリーグ, I Solisti Italiani | G Major | 1 | 9B | 87 BPM | ||
| Les Contes d'Hoffmann / Prologue: "Va pour Kleinzach...Il était une fois à la cour" | Jacques Offenbach, Plácido Domingo, Pedro Di Proenza, Choeur de la Radio Suisse Romande, Pro Arte Choir, Lausanne, Choeur Du Brassus, Orchestre de la Suisse Romande, Richard Bonynge | A Minor | 3 | 8A | 97 BPM | ||
| Spontini: La Vestale, Act III: "Qu’ai-je vu! Quels apprêts" (Licinius) | Gaspare Spontini, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | E♭ Major | 3 | 5B | 150 BPM | ||
| Down Once More / Track Down This Murderer | Gekidan Shiki Long-Run Cast, Andrew Lloyd Webber, Kiyotaka Imai, Rumi Iryo, Daisuke Yanase | D♭ Major | 4 | 3B | 69 BPM | ||
| Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | D♭ Major | 1 | 3B | 85 BPM | ||
| Pur dicesti, o bocca bella | Antonio Lotti, Holly Bewlay, Sarah Rhee | E Major | 1 | 12B | 81 BPM | ||
| 静かに眠れる麗しの君 | 蒲原史子 | B♭ Major | 1 | 6B | 80 BPM | ||
| アルビノーニのアダージョ [アルビノーニ/ジャゾット] | Tomaso Albinoni, イエルゲン・エルンスト・ハンセン, ソチエタス・ムジカ室内管弦楽団 | G Major | 2 | 9B | 83 BPM | ||
| Imagination Is Everything | DePaul Osaze | D♭ Major | 3 | 3B | 152 BPM | ||
| Beethoven: Missa solemnis in D Major, Op. 123: III. Qui tollis | Ludwig van Beethoven, Herbert von Karajan, Agnes Baltsa, Gundula Janowitz, José van Dam, Peter Schreier, Wiener Singverein, Berliner Philharmoniker | D Major | 1 | 10B | 62 BPM | ||
| Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] | Antonín Dvořák, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | B♭ Major | 1 | 6B | 111 BPM |