Berta Rojas, Camerata Bariloche's 'Histoire Du Tango II: Cafe, 1930' had a release date set for May 14, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Berta Rojas, Camerata Bariloche's "Historia del Tango" album is number 4 out of 12. On top of that, United States appears to be the country where this track was created. Histoire Du Tango II: Cafe, 1930 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Histoire Du Tango II: Cafe, 1930 by Berta Rojas, Camerata Bariloche to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El Negrito | Antonio Lauro, Adam Holzman | G Major | 1 | 9B | 82 BPM | ||
| Libero | Pablo Briceño, Sam Desmet | B Minor | 2 | 10A | 144 BPM | ||
| Pais De Abanico | Berta Rojas | D Major | 1 | 10B | 87 BPM | ||
| Fascination Valse Tzigane for flute and guitar | Fermo Dante Marchetti, Jane Rutter, Giuseppe Zangari | E Major | 2 | 12B | 78 BPM | ||
| Un dia de Noviembre | Leo Brouwer, Flavio Cucchi | D Major | 1 | 10B | 125 BPM | ||
| Suite del recuerdo: II. Zamba | Jose Luis Merlin, Sebastian Caldas | E Minor | 1 | 9A | 73 BPM | ||
| Gnossienne No. 1 (Arr. Roland Dyens for Guitar) | Erik Satie, Arash Ahmadi | E Minor | 0 | 9A | 93 BPM | ||
| Einhorn Plays Bach: Air On a G String (From Suite No. 3, BWV 1068) [Solo Guitar] | Craig Einhorn | C Major | 1 | 8B | 110 BPM | ||
| Milonga Surena | Guy Lukowski | E Minor | 2 | 9A | 96 BPM | ||
| El Ultimo Canto | Berta Rojas | F♯ Minor | 3 | 11A | 143 BPM | ||
| Valse, Op. 64: II. Tempo giusto | Frédéric Chopin, Tatyana Ryzhkova | A Minor | 4 | 8A | 147 BPM | ||
| La Soledad | Samuel Diz, Avelina Valladares | G Major | 9 | 9B | 136 BPM | ||
| Carnavalito | Guillermo Rizzotto | E Minor | 2 | 9A | 95 BPM | ||
| Adieu foulard, adieu Madras | Roland Dyens | A♭ Major | 0 | 4B | 86 BPM | ||
| Variaciones Sobre una Canción de Cuna | Berta Rojas | D Major | 1 | 10B | 144 BPM | ||
| Revoir Paris | Roland Dyens | D Major | 0 | 10B | 99 BPM | ||
| Entre el Mar y el Cobre | Gerson Lizama | D Minor | 1 | 7A | 130 BPM | ||
| La Catedral: III. Allegro solemne | Agustín Barrios Mangoré, Tal Hurwitz | B Minor | 4 | 10A | 128 BPM | ||
| Tonada Antigua | Antonio Restucci | E Major | 2 | 12B | 134 BPM | ||
| Obsesion (From "Tres Instantes de Amor") | Berta Rojas | B Minor | 3 | 10A | 82 BPM | ||
| Morning's Rag | Ricardo Cobo | A Major | 2 | 11B | 164 BPM | ||
| Suite del Plata, No. 1: Murga | Maximo Diego Pujol, Victor Villadangos | E Minor | 1 | 9A | 102 BPM | ||
| Milonga | Jorge Cardoso, Eric Sobczyk | D Minor | 0 | 7A | 113 BPM | ||
| Misionera (Arr. J. Morel for Guitar) | Fernando Bustamante, Celil Refik Kaya | C Minor | 0 | 5A | 128 BPM | ||
| Castillos de España II: No. 1, Turegano | Federico Moreno Torroba, Ana Vidović | E Major | 1 | 12B | 93 BPM |