Lars Kurz's ' "Fairies at Work" was released on its scheduled release date, November 30, 2003. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Fairies at Work's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Witches, Dwarves and Trolls by Lars Kurz, John Fox, Sonoton Film Orchestra. The song's track number on the album is #28 out of 40 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Fairies at Work's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Fairies at Work by Lars Kurz has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Fairies at Work being at 130 BPM, the half-time would be 65 BPM with a double-time of 260 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miami at Night Drive | Allister Brimble | D♭ Major | 6 | 3B | 120 BPM | ||
| Reggae mi ned auf 1 | Wolfgang Neumann-Schaetzler, Lars Kurz | D Major | 1 | 10B | 72 BPM | ||
| Organized Chaos | Arthur Benson | C Major | 3 | 8B | 130 BPM | ||
| Boogaloo Sepp - No Melody | Peter Holzapfel, Lars Kurz | B♭ Minor | 4 | 3A | 100 BPM | ||
| Teardown Theme | Douglas Holmquist | G Major | 4 | 9B | 153 BPM | ||
| Wake-up Call | Gustaf Grefberg, Kristofer Eng | G Minor | 5 | 6A | 156 BPM | ||
| Last Night on Super Millionaire (Bonus Track) | Keith Strachan, Matthew Strachan | A♭ Major | 2 | 4B | 146 BPM | ||
| Trapped Outside | Moss Harman | E Minor | 6 | 9A | 136 BPM | ||
| Aftermath | Derek Anthony Brin | B♭ Minor | 5 | 3A | 100 BPM | ||
| Automatique Love | Wolfgang M Neumann, Lars Kurz | C Major | 0 | 8B | 188 BPM | ||
| Breathless Suspense - Underscore Version | Christopher Willis | D♭ Major | 5 | 3B | 114 BPM | ||
| Time Bender | Philip Ayers | D♭ Major | 7 | 3B | 130 BPM | ||
| The Mole | Christoffer Moe Ditlevsen | F♯ Minor | 2 | 11A | 75 BPM | ||
| The Will to Chill | Lars Kurz, Laszlo Dobos | F Major | 6 | 7B | 121 BPM | ||
| Z Com Falls | Ndemic Creations, Marius Masalar | A Minor | 4 | 8A | 96 BPM | ||
| Figured Out | Arthur Benson | A Major | 2 | 11B | 115 BPM | ||
| The Countdown Is On | Tatjana Iljasova | D♭ Major | 4 | 3B | 110 BPM | ||
| Plutonium Love - Alternate | Sebastian Herzfeld, Christiane Hebold, Lars Kurz | F Major | 1 | 7B | 99 BPM | ||
| Swamp Echo | Dj Jos Ozuna | C Major | 3 | 8B | 180 BPM | ||
| Intensity | Brian Brasher, Dan Beyer, Dan Breyer | C Minor | 6 | 5A | 110 BPM | ||
| This Is How It Ends - Full Mix | Ron Verboom, Lars Kurz | A Minor | 3 | 8A | 160 BPM | ||
| The Swamp, the Sun, the Moon - Underscore 1 | Peter Holzapfel, Lars Kurz | G Major | 4 | 9B | 97 BPM | ||
| Space Suite | Felix Barbarino, Mathilde Hoffmann | B♭ Minor | 3 | 3A | 110 BPM | ||
| A Better Place in Time - Alternate | Ron Verboom, Lars Kurz | C Major | 4 | 8B | 136 BPM | ||
| Drifting in 7-8 - Alternate 3 | Sebastian Herzfeld, Lars Kurz | F Minor | 0 | 4A | 130 BPM |