"Mathieu" by Harry Allouche had its release date on December 21, 2018. With This song being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 15 in Au bout des doigts (Bande originale du film) by Harry Allouche. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Mathieu is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mathieu by Harry Allouche is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rivers | William Ross | G Major | 0 | 9B | 68 BPM | ||
| Leaving the Set | Harry Allouche | A♭ Major | 5 | 4B | 92 BPM | ||
| Au mur | Raphaël Treiner | D♭ Major | 2 | 3B | 72 BPM | ||
| Marysia | Paweł Lucewicz | D Minor | 1 | 7A | 106 BPM | ||
| Sleeping Draught | Anne Nikitin | D Minor | 3 | 7A | 156 BPM | ||
| Every Door | Jeff Beal | D Minor | 4 | 7A | 86 BPM | ||
| End Roller | Peter Gregson | E♭ Major | 0 | 5B | 75 BPM | ||
| Blue Notebook | Iskra String Quartet, Iskra Strings, Isobel Waller-Bridge | C Minor | 2 | 5A | 110 BPM | ||
| The Lion Woman | Uno Helmersson | C Minor | 3 | 5A | 100 BPM | ||
| Jacob Wakes Up | Craig Wedren, Jefferson Friedman, Alex Shenkman | C Major | 1 | 8B | 62 BPM | ||
| Lasciarsi un giorno - Strings Version | Gianluca Misiti | A♭ Major | 1 | 4B | 145 BPM | ||
| Biarritz | Jérôme Rebotier | B♭ Major | 1 | 6B | 92 BPM | ||
| The Deep Blue Air | Nicholas & Sebastian | A Minor | 4 | 8A | 80 BPM | ||
| Separate Lives | Gabriel Yared | C Minor | 2 | 5A | 150 BPM | ||
| Randy Schoenberg | Martin Phipps | D Minor | 1 | 7A | 108 BPM | ||
| Transatlantic | Gavin Luke | A♭ Minor | 2 | 1A | 189 BPM | ||
| Words of Love - Theme | Nick Laird-Clowes | B Minor | 1 | 10A | 118 BPM | ||
| Inside | Tony Brundo, GoodLab Music | G Major | 1 | 9B | 74 BPM | ||
| The Wind | Jan A.P. Kaczmarek | E Minor | 2 | 9A | 67 BPM | ||
| Training Day | Debbie Wiseman | F Major | 2 | 7B | 132 BPM | ||
| 1.4 Sarabande | Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson | G Major | 2 | 9B | 144 BPM | ||
| La lettre de Frantz | Philippe Rombi | B♭ Minor | 1 | 3A | 171 BPM | ||
| Sunlight | Christopher Slaski | F♯ Major | 2 | 2B | 98 BPM | ||
| Motionless | Federico Mecozzi | D♭ Major | 2 | 3B | 76 BPM | ||
| Barren Suite | Gabriel Yared | C Minor | 1 | 5A | 76 BPM |