Lurlean Hunter's 'Blue Turning Grey over You' had a release date set for 1960. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 11 in Blue & Sentimental by Lurlean Hunter. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, Blue Turning Grey over You is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Blue Turning Grey over You by Lurlean Hunter is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Moon And Sand | Diana Panton, Don Thompson, Reg Schwager | F Major | 2 | 7B | 106 BPM | ||
| Crazy He Calls Me | Anita O'Day | B♭ Major | 1 | 6B | 69 BPM | ||
| Cloudy (With a Chance of Rain) | Katherine Kostoff | D♭ Major | 2 | 3B | 113 BPM | ||
| Almost Like Being In Love | Lorez Alexandria | A♭ Major | 2 | 4B | 83 BPM | ||
| Somebody | Dorothy Dandridge | D♭ Major | 2 | 3B | 88 BPM | ||
| A Blossom Fell | Sue Raney | D Minor | 2 | 7A | 132 BPM | ||
| Be Anything (But Be Mine) | Helen O'Connell | B Minor | 1 | 10A | 82 BPM | ||
| When Did You Leave Heaven | Jimmy Scott | F Minor | 0 | 4A | 178 BPM | ||
| This Is Moment | Austyn Ziemann | E Minor | 2 | 9A | 123 BPM | ||
| I Want To Be With You | Shirley Horn | E♭ Major | 1 | 5B | 47 BPM | ||
| Frankie And Johnny | Morgana King | E♭ Major | 3 | 5B | 87 BPM | ||
| It Don't Mean A Thing (If It Ain't Got That Swing) | Annie Ross, Gerry Mulligan Quartet | A♭ Major | 4 | 4B | 134 BPM | ||
| Don't Let It Go To Your Head - Remastered | Nat King Cole | D Major | 10 | 10B | 133 BPM | ||
| Tea for Two - Bonus Track | Beverly Kenney, Tony Tamburello | B♭ Minor | 0 | 3A | 132 BPM | ||
| I Get The Blues When It Rains | Sue Raney | G Minor | 3 | 6A | 114 BPM | ||
| Let Me Off Uptown | Gene Krupa Big Band, Anita O'Day, Roy Eldridge | A♭ Major | 3 | 4B | 133 BPM | ||
| Where Flamingos Fly | Helen Merrill | C Major | 2 | 8B | 83 BPM | ||
| It's Magic | Beverly Kenney | F Major | 1 | 7B | 68 BPM | ||
| Ask Me Nice | Mose Allison | D♭ Major | 1 | 3B | 123 BPM | ||
| Every Time We Say Goodbye | Benny Goodman | A♭ Major | 1 | 4B | 84 BPM | ||
| Sand in My Shoes | Bobby Short | C Major | 3 | 8B | 144 BPM | ||
| Get out and Get Under the Moon | Maxine Sullivan, Bob Haggart, Ike Isaacs, Dardanelle, Sil Austin | A♭ Major | 2 | 4B | 116 BPM | ||
| I Let A Song Go Out Of My Heart | Irene Kral | A♭ Major | 3 | 4B | 98 BPM | ||
| We'll Be Together Again | Anita O'Day, Oscar Peterson Quartet | G Major | 1 | 9B | 117 BPM | ||
| That's No Joke | Shirley Horn | G Minor | 1 | 6A | 130 BPM |