"Someone to Watch Over Me (From "Oh, Kay!") [Arr. R. Balcombe & M. Carewe for Voice & Orchestra]" by George Gershwin, Mary Carewe, Royal Philharmonic Orchestra, Richard Balcombe had its release date on October 8, 2021. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mary Carewe, Graham Bickley, Royal Philharmonic Orchestra, Richard Balcombe's "Long Ago and Far Away" album is number 4 out of 19. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Someone to Watch Over Me (From "Oh, Kay!") [Arr. R. Balcombe & M. Carewe for Voice & Orchestra]'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Someone to Watch Over Me (From "Oh, Kay!") [Arr. R. Balcombe & M. Carewe for Voice & Orchestra] by George Gershwin, Mary Carewe, Royal Philharmonic Orchestra, Richard Balcombe to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | F Major | 0 | 7B | 71 BPM | ||
| La campanella in G-Sharp Minor (From "Grandes études de Paganini", S. 141/3) | Franz Liszt, Lang Lang | A♭ Minor | 3 | 1A | 88 BPM | ||
| Piano Concerto No. 3 in C Major, Op. 26: I. Andante - Allegro | Sergei Prokofiev, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | C Major | 2 | 8B | 116 BPM | ||
| Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Alfred Brendel | F Major | 0 | 7B | 135 BPM | ||
| Poet and Peasant: Overture | Franz von Suppé, Detroit Symphony Orchestra, Paul Paray | A Major | 3 | 11B | 81 BPM | ||
| Danzón No. 2: Danzon No. 2 (Live) | Arturo Márquez, Singapore Symphony Orchestra, Lan Shui | D Minor | 2 | 7A | 107 BPM | ||
| Porgy And Bess: Introduction and Jasbo Brown Blues | George Gershwin, Dick Hyman, Houston Grand Opera Ensemble, John DeMain, Houston Grand Opera | G Major | 0 | 9B | 135 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 1 | 10B | 82 BPM | ||
| Mysticism Of Money (Fugue in D Minor) | Mathis Picard | B♭ Minor | 4 | 3A | 140 BPM | ||
| 3 Preludes : Allegro Ben Ritmato E Deciso | Leon Bates, George Gershwin | A♭ Minor | 2 | 1A | 74 BPM | ||
| The Man I Love | Peter Breiner, Juray Bartos, George Gershwin | A♭ Major | 0 | 4B | 70 BPM | ||
| Chanson de matin | Edward Elgar, Britten Sinfonia, Nicholas Cleobury | G Major | 2 | 9B | 171 BPM | ||
| Porgy and Bess: Jasbo Brown's Blues | George Gershwin, Frank Braley | G Major | 1 | 9B | 83 BPM | ||
| Piano Concerto No. 2 In F Minor, Op. 21: 3. Allegro vivace | Frédéric Chopin, Krystian Zimerman, Polish Festival Orchestra | B♭ Minor | 2 | 3A | 107 BPM | ||
| Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
| Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
| Eight Concert Etudes, Op. 40: VII. Intermezzo: Allegretto | Nikolai Kapustin, Yeol Eum Son | E♭ Minor | 2 | 2A | 108 BPM | ||
| Gershwin: Gershwin's Songbook: No. 5, I Got Rhythm | George Gershwin, Martin James Bartlett | C Minor | 1 | 5A | 70 BPM | ||
| Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
| Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
| Les Beautés Du Diable | François Dompierre, Angèle Dubeau | E Minor | 1 | 9A | 132 BPM | ||
| The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
| Vocalise | Sergei Rachmaninoff, Andrew Litton, Branford Marsalis, English Chamber Orchestra | A♭ Major | 0 | 4B | 135 BPM |