Chet Baker's ' "What a Diff'rence a Day Made" was released on its scheduled release date, 1954. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. What a Diff'rence a Day Made's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 15 in Chet Baker & Strings by Chet Baker. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, What a Diff'rence a Day Made's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of What a Diff'rence a Day Made by Chet Baker is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Canadian Sunset | Gene Ammons | C Major | 1 | 8B | 140 BPM | ||
| My Foolish Heart | Bill Evans Trio | A Major | 1 | 11B | 115 BPM | ||
| My Buddy - Vocal Version | Chet Baker | A Minor | 1 | 8A | 135 BPM | ||
| Love Story | Flip Phillips | F Minor | 1 | 4A | 60 BPM | ||
| Lover Man (Oh Where Can You Be) | Blossom Dearie | G Minor | 1 | 6A | 99 BPM | ||
| I Hear A Rhapsody | Bill Evans, Jim Hall | C Minor | 0 | 5A | 173 BPM | ||
| Blue And Sentimental | Oscar Peterson | E♭ Minor | 1 | 2A | 70 BPM | ||
| Say It (Over And Over Again) | John Coltrane Quartet | E♭ Major | 1 | 5B | 66 BPM | ||
| Stella By Starlight | The Cannonball Adderley Quintet | G Minor | 3 | 6A | 80 BPM | ||
| Can't We Be Friends | Sonny Clark | D Minor | 3 | 7A | 133 BPM | ||
| Adagio | Joshua Redman | G Major | 1 | 9B | 112 BPM | ||
| Wood'yn You - Live At The Pershing, Chicago, 1958 | Ahmad Jamal Trio | A♭ Major | 6 | 4B | 108 BPM | ||
| Missile Blues - Take 6 | Wes Montgomery Trio | C Major | 3 | 8B | 78 BPM | ||
| Faith | Joshua Redman Quartet | D Minor | 2 | 7A | 128 BPM | ||
| Where We Used To Live | Esbjörn Svensson Trio | C Major | 1 | 8B | 95 BPM | ||
| Mainstream | Gerry Mulligan Sextet | G Major | 1 | 9B | 140 BPM | ||
| Quintessence | Coleman Hawkins Quartet | F Major | 1 | 7B | 85 BPM | ||
| Gee Baby, Ain't I Good To You | Gerry Mulligan, Chet Baker | G Minor | 1 | 6A | 104 BPM | ||
| I've Grown Accustomed To Her Face | Chet Baker | C Minor | 1 | 5A | 61 BPM | ||
| These Foolish Things | Chet Baker | E♭ Major | 1 | 5B | 119 BPM | ||
| Goodbye Pork Pie Hat | Charles Mingus | A♭ Minor | 1 | 1A | 87 BPM | ||
| Some Other Time | Bill Evans Trio | C Major | 0 | 8B | 61 BPM | ||
| Mi Cosa - Take 1 | Wes Montgomery Trio | D♭ Minor | 0 | 12A | 98 BPM | ||
| I Wish I Knew | John Coltrane Quartet | G Major | 1 | 9B | 105 BPM | ||
| The Folks Who Live on the Hill | Joshua Redman | C Major | 3 | 8B | 123 BPM |