"The Ecstasy in Thinking of Final Exits" by Emma Ruth Rundle had its release date on June 19, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 6 in Electric Guitar: One by Emma Ruth Rundle. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Based on our statistics, The Ecstasy in Thinking of Final Exits's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Ecstasy in Thinking of Final Exits by Emma Ruth Rundle is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Darkhorse | Emma Ruth Rundle | A♭ Major | 7 | 4B | 139 BPM | ||
| Blooming | Amulets | E♭ Minor | 1 | 2A | 173 BPM | ||
| With the Dark Hug of Time | Colin Stetson, Sarah Neufeld | F Major | 4 | 7B | 135 BPM | ||
| Orion Is Dead | Natural Snow Buildings | E♭ Major | 4 | 5B | 149 BPM | ||
| Foregone | Darkher | D Major | 5 | 10B | 91 BPM | ||
| Last Evening of the Year | Hydras Dream, Matti Bye, Anna von Hausswolff | G Minor | 4 | 6A | 97 BPM | ||
| The Road | The Nocturnes | F Major | 4 | 7B | 74 BPM | ||
| Elevation | Hildur Guðnadóttir | G Minor | 1 | 6A | 80 BPM | ||
| Burial Rites | Hilary Woods | C Minor | 2 | 5A | 141 BPM | ||
| The Day Is Coming | Jozef Van Wissem | A♭ Minor | 7 | 1A | 101 BPM | ||
| The Reverist | Esben and the Witch | E Minor | 2 | 9A | 110 BPM | ||
| Sacred Destruction | Oldest Sea | C Major | 8 | 8B | 124 BPM | ||
| Parabol | Amenra | B Minor | 1 | 10A | 75 BPM | ||
| halloween | Wulven | B♭ Minor | 2 | 3A | 110 BPM | ||
| Ancestral Star | Barn Owl | D Minor | 1 | 7A | 76 BPM | ||
| Silencer | Oiseaux-Tempête | A♭ Major | 2 | 4B | 138 BPM | ||
| Haunt Me | Midwife | B♭ Major | 2 | 6B | 89 BPM | ||
| So, Come | Emma Ruth Rundle | F♯ Minor | 3 | 11A | 137 BPM | ||
| Song for an Unborn Sun | Sister Grotto | B♭ Major | 2 | 6B | 74 BPM | ||
| Pale Star | Barn Owl | C Major | 2 | 8B | 112 BPM | ||
| Cruel Miracles | Ben Frost, Daníel Bjarnason | E Major | 5 | 12B | 103 BPM | ||
| Mouvement (Every City Is A Prison) | The Angelic Process | E♭ Major | 3 | 5B | 138 BPM | ||
| Detach | Pijn | G Major | 1 | 9B | 99 BPM | ||
| Ghost | (DOLCH) | B Major | 1 | 1B | 80 BPM | ||
| Lowly Weep | Darkher | A♭ Minor | 4 | 1A | 134 BPM |