"Radagast the Brown" by Howard Shore had its release date on December 11, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 26 in the song's album "The Hobbit: An Unexpected Journey (Original Motion Picture Soundtrack)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Radagast the Brown is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Radagast the Brown by Howard Shore having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Centurion | Ilan Eshkeri | D♭ Minor | 1 | 12A | 86 BPM | ||
| Freunde | Drakensang | A♭ Major | 2 | 4B | 92 BPM | ||
| You Speak of the Trident | Geoff Zanelli | D Minor | 1 | 7A | 74 BPM | ||
| Suite From Hathor | Original Soundtrack | C Major | 1 | 8B | 121 BPM | ||
| Someone Loves Us | Dario Marianelli | E Major | 0 | 12B | 84 BPM | ||
| Finale - The Sword in the Stone | Rohan Stevenson | B♭ Minor | 1 | 3A | 91 BPM | ||
| Land Ahoy | David Arnold | C Minor | 1 | 5A | 94 BPM | ||
| The Man Village | John Debney | F♯ Major | 0 | 2B | 87 BPM | ||
| Another Story | Nicholas Hooper | F Major | 1 | 7B | 70 BPM | ||
| Myror the Assassin | Rob Lane | C Minor | 2 | 5A | 122 BPM | ||
| Inside Information | Howard Shore | C Minor | 3 | 5A | 96 BPM | ||
| Mars Needs Moms Credits Suite | John Powell | A♭ Major | 6 | 4B | 126 BPM | ||
| Slughorn's Confession | Nicholas Hooper | C Major | 1 | 8B | 170 BPM | ||
| Septimus | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | G Major | 7 | 9B | 154 BPM | ||
| They Are Everywhere | Murray Gold | C Major | 1 | 8B | 140 BPM | ||
| Morgana Close to Death | Rohan Stevenson | G Minor | 1 | 6A | 96 BPM | ||
| Aslan's Table | David Arnold | A♭ Major | 0 | 4B | 104 BPM | ||
| Shadow of the Argonath | Chance Thomas | G Major | 2 | 9B | 141 BPM | ||
| Dinotopia Main Theme | Trevor Jones | D Major | 2 | 10B | 116 BPM | ||
| Fate Calls | Mikolai Stroinski | B♭ Major | 1 | 6B | 75 BPM | ||
| The Trollshaws - Bonus Track | Howard Shore | C Minor | 1 | 5A | 115 BPM | ||
| Austerlitz | Jan A.P. Kaczmarek | D♭ Major | 3 | 3B | 179 BPM | ||
| The Joust | Rob Lane | F Major | 6 | 7B | 139 BPM | ||
| Scotland | BBC Scottish Symphony Orchestra | A Minor | 4 | 8A | 67 BPM | ||
| The Green Mile | Thomas Newman | A Minor | 2 | 8A | 112 BPM |