Dorjay Stakmo's ' "Chocho Ley" was released on its scheduled release date, March 20, 2008. This song is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in Dorjay Stakmo's "Milam" album is number 1 out of 8. On top of that, Norway appears to be the country where this track was created. Chocho Ley is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Chocho Ley by Dorjay Stakmo to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tenzin Metok | Phurbu T Namgyal | F Major | 6 | 7B | 98 BPM | ||
| Monyul Ku Zhomo | Faisal Ashoor | F Major | 7 | 7B | 88 BPM | ||
| Yunrings | Ladakh Music, Stanzin Gindun, Dorjay Stakmo | E Major | 7 | 12B | 96 BPM | ||
| ladakhi bhumo | Lotsetan | G Major | 8 | 9B | 120 BPM | ||
| Khwnaya khona | Ama ni khorang M.C Production, Bipasha Reang | E Major | 4 | 12B | 120 BPM | ||
| Chamgon Tai Situpa | Sonam Topden, Tenzin Kunsel | D♭ Minor | 5 | 12A | 98 BPM | ||
| Khumtrang Lingu | Parmita Reang, Sahil Reang | A Major | 7 | 11B | 110 BPM | ||
| Mone Mone Tor Kotha | Hirok Roy, Kriti | F♯ Minor | 9 | 11A | 93 BPM | ||
| Laijam | JC Narzary, Usharani Brahma | F♯ Major | 9 | 2B | 135 BPM | ||
| Silzer Lay | Stanzin Norgais, Padma Dolkar | A Major | 8 | 11B | 97 BPM | ||
| Tomar Pote Hete Hete | Rubel Khondokar | F♯ Major | 5 | 2B | 72 BPM | ||
| Gorom Gorom | Anjali Reang, BRR Bru | B Minor | 7 | 10A | 97 BPM | ||
| Kahile Maya Gham Jastai | Sachin Singh | B♭ Major | 5 | 6B | 130 BPM | ||
| Sekmaigee Yoo Na - From "Eramdam Kangla Karabar 2" | Sorri Senjam, Ta Tomba | D♭ Major | 7 | 3B | 142 BPM | ||
| Torse Naina | Tyo Fil | G Major | 5 | 9B | 150 BPM | ||
| Khaphurmani | Rumi Murasing, Sumit Debbarma | A Major | 7 | 11B | 140 BPM | ||
| Jibonore Xarothi | Lonismita Devi, Jyotipall, Himangshu Borah | G Major | 6 | 9B | 133 BPM | ||
| Kaslei Kwlai Wanw | Parmita Reang, Swkang Debbarma | G Minor | 6 | 6A | 154 BPM | ||
| Wakat Meepham | Kenedy Khuman | G Major | 5 | 9B | 110 BPM | ||
| Sairikni Sal | Biswanath Debbarma, Sourabhee Debbarma | B Minor | 9 | 10A | 130 BPM | ||
| Timro Naam | Chhewang Lama | E♭ Major | 4 | 5B | 110 BPM | ||
| Soltini Ko Sirai Ma Chandrama | Karan Raj Karki, Aita Shang Gurung, Sasika Rai, Sabina Yonghang Limbu | B Minor | 8 | 10A | 140 BPM | ||
| Nwngbai Ani Chasmai | Milton Debbarma | A♭ Major | 6 | 4B | 90 BPM | ||
| Meto Kha-Sonam Wangdi | VMUSIC BHUTAN, Tshering Lham | D Major | 4 | 10B | 101 BPM | ||
| Hamjakmungo | Manik Debbarma, Rumi Murasing | F♯ Major | 5 | 2B | 110 BPM |