Midnight Hour's 'War' had a release date set for November 21, 2020. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Midnight Hour's "Ghost in the Mirror" album is number 1 out of 4. On top of that, United States appears to be the country where this track was created. Based on our statistics, War's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of War by Midnight Hour to be Allegro (fast, quick, and bright) because the track has a tempo of 155 BPM, a half-time of 78BPM, and a double-time of 310 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Unbeautiful | Lesley Roy | E Major | 9 | 12B | 132 BPM | ||
| Give up Now | Extreme Music | E Minor | 7 | 9A | 157 BPM | ||
| Take Me Or Leave Me | Stanfour | B Major | 4 | 1B | 171 BPM | ||
| Unbreakable | Jamie Scott | G Major | 4 | 9B | 103 BPM | ||
| Skydive | O-Town | D Major | 7 | 10B | 90 BPM | ||
| Leave Him | Tyler Hilton | D Major | 4 | 10B | 120 BPM | ||
| Bigger Than Love | My Favorite Highway | D Major | 8 | 10B | 120 BPM | ||
| Perfect The Way You Are - Acoustic | Dead by April | A♭ Minor | 5 | 1A | 135 BPM | ||
| Where the Island Ends | Ryan Star | D♭ Major | 3 | 3B | 85 BPM | ||
| Lost Without You | Sleeperstar | E Major | 10 | 12B | 98 BPM | ||
| Save You | Matthew Perryman Jones | B♭ Major | 5 | 6B | 172 BPM | ||
| What Have I Done | Taps | D Major | 2 | 10B | 139 BPM | ||
| Between | Courrier | A♭ Major | 5 | 4B | 146 BPM | ||
| Gonna Make It Right | Ryan Star | D Minor | 4 | 7A | 81 BPM | ||
| Beauty's Running Wild | Scars On 45 | G Major | 7 | 9B | 170 BPM | ||
| Ghost in the Mirror | Midnight Hour | D♭ Major | 7 | 3B | 155 BPM | ||
| Perfect Stranger | Midnight Cinema | A Major | 9 | 11B | 145 BPM | ||
| Help Is On the Way | Ross Copperman | B Major | 5 | 1B | 82 BPM | ||
| Be the Same | Ravenscode | B♭ Major | 8 | 6B | 160 BPM | ||
| Dead to Me | District3 | G Minor | 6 | 6A | 140 BPM | ||
| Broken Ones | Jacquie | B Minor | 7 | 10A | 148 BPM | ||
| Found You | Ross Copperman | E Major | 7 | 12B | 133 BPM | ||
| Here In My Arms | The Sunstreak | D Major | 7 | 10B | 142 BPM | ||
| Where We Belong - Acoustic Version | Thriving Ivory | B Major | 8 | 1B | 140 BPM | ||
| Song for Someone | Vertical Horizon | E♭ Major | 7 | 5B | 79 BPM |