On April 27, 2019, the song "Practical Vocal Method: Lesson VII Runs and Scale Passages in F Major, Allegretto" was released by Nicola Vaccai, Xavier Palacios. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Vaccai: Practical Vocal Method (Accompaniments for Low Voice [Baritone / Mezzo] with Transpositions) by Nicola Vaccai, Xavier Palacios. The song's track number on the album is #19 out of 42 tracks. In terms of popularity, Practical Vocal Method: Lesson VII Runs and Scale Passages in F Major, Allegretto is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Practical Vocal Method: Lesson VII Runs and Scale Passages in F Major, Allegretto by Nicola Vaccai, Xavier Palacios has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Practical Vocal Method: Lesson VII Runs and Scale Passages in F Major, Allegretto being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Giulietta e Romeo / Act 2: Giulietta! oh! mia Giulietta! - Ah! se tu dormi | Nicola Vaccai, Elina Garanca, Filarmonica del Teatro Comunale di Bologna, Yves Abel | E♭ Major | 1 | 5B | 79 BPM | ||
| Adagio Giselle | Sissonne Music | A♭ Major | 0 | 4B | 63 BPM | ||
| Grand Battement: Roxie | Ian Howells Music | C Major | 2 | 8B | 125 BPM | ||
| Mírame | Xoel Massó | G Major | 0 | 9B | 100 BPM | ||
| Minuet 3-1 - W.A. Mozart | Markus Porsklev | D Major | 0 | 10B | 121 BPM | ||
| Battement Tendu Simple I | Mario Richter | A♭ Major | 1 | 4B | 119 BPM | ||
| Giulietta e Romeo: Act II: No. 11: È questo il loco | Nicola Vaccai, Roberto Abbado | E♭ Major | 0 | 5B | 78 BPM | ||
| Nè Rispondi D'un Padre All'affetto? ... No, Non Udrai Rimproveri | Songs of Birdland, Mu Dimon | B♭ Major | 2 | 6B | 68 BPM | ||
| Tango | Renan Napoli | A Minor | 1 | 8A | 103 BPM | ||
| Giulietta e Romeo, Act II: Ah! Con qual nome o misera (Live) | Nicola Vaccai, Leonardo Cortellazzi, Coro del Teatro Municipale di Piacenza, Orchestra Accademia Teatro alla Scala, Sesto Quatrini | D Minor | 4 | 7A | 76 BPM | ||
| Safe and Sound | Bruce Oscar | E♭ Major | 0 | 5B | 73 BPM | ||
| Battement Tendu 4/4 (Theme and Variations Op.18b) | The Ballet Pianist | A Minor | 1 | 8A | 71 BPM | ||
| Beautiful (Adage) | Joey McNamara | A♭ Major | 1 | 4B | 103 BPM | ||
| Fondu: La Vie En Rose | Trisha Wolf | C Major | 1 | 8B | 81 BPM | ||
| 19 Mozart - Das Bandel, K.441 | Mozart, PSMmusic | G Major | 2 | 9B | 120 BPM | ||
| Midnight Serenade | Moogly | C Major | 1 | 8B | 88 BPM | ||
| Aires de la Pampa, op. 63: Arrastrando el Ala - Remasterizado | Adrián Romero | D Minor | 2 | 7A | 174 BPM | ||
| Memories | David Osborne | D Major | 1 | 10B | 90 BPM | ||
| Reminiscence | Chan Wei Tuck | F Major | 1 | 7B | 75 BPM | ||
| 36 Originaltänze, D.365: No.19 and No.20 in G Major | Songs of Birdland, Mu Dimon, Classical of Birdland | B♭ Major | 1 | 6B | 92 BPM | ||
| Mystery in Paris | Malena Dop | F♯ Major | 0 | 2B | 140 BPM | ||
| Oh For A Thousand - Instrumental | Soma Of Boma | E Major | 0 | 12B | 78 BPM | ||
| Practical Vocal Method: Lesson VIII the Appogiatura Taken from Above or Below, In F Major | Nicola Vaccai, Xavier Palacios | F Major | 2 | 7B | 68 BPM | ||
| Practical Vocal Method: The Grupetto or Turn in F Major | Nicola Vaccai, Xavier Palacios | F Major | 1 | 7B | 97 BPM | ||
| Rond de jambe 2 3x4 | Jorge L. Martínez | D Minor | 1 | 7A | 109 BPM |