On January 20, 2011, the song "Varungal Swamigale" was released by D.V. Ramani, Dr. Kridiya, Harish Raghavendra. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Samiyappa". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. Based on our statistics, Varungal Swamigale's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Varungal Swamigale by D.V. Ramani, Dr. Kridiya, Harish Raghavendra having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sudarsana Astakam | Malola Kannan | D Major | 5 | 10B | 96 BPM | ||
| Petta Thulli (From "Raagavardhini") | Sriraman, Santhosh Subramanian, Va. Ra. Sree | F♯ Minor | 7 | 11A | 164 BPM | ||
| Yathirai Pathu | SIVA DAMODHARAN AYYA | C Minor | 8 | 5A | 100 BPM | ||
| Naalumaindhu | D.V. Ramani | D♭ Major | 6 | 3B | 143 BPM | ||
| Thalaiye Nee Vanagaai | Pa. Sargurunathan | F♯ Major | 5 | 2B | 145 BPM | ||
| Sri Sai Ashtakam | B.Ramana, Parupalli Ranganath | A♭ Major | 4 | 4B | 88 BPM | ||
| Alarachanchalamyna | Nithya Santhoshini | E Minor | 5 | 9A | 135 BPM | ||
| Thiruneetru Pathigam | D.V. Ramani | D Major | 6 | 10B | 144 BPM | ||
| Unnaippaadum Thozhilandri | T. M. Soundararajan | F Minor | 6 | 4A | 96 BPM | ||
| Vetrivel Muruga | V.M. Mahalingam, Sriraman | G Major | 8 | 9B | 144 BPM | ||
| Lingashtagam | Bombay Saradha | A Minor | 5 | 8A | 95 BPM | ||
| Runa Vimochana Mangala Stotram | H.A. Sastry, Y.N. Sharma | G Major | 3 | 9B | 79 BPM | ||
| Sivastagam | R.Krishna Raja | C Major | 5 | 8B | 140 BPM | ||
| Annaamalai - Language: Tamil; Genre: Shivan | S. P. Balasubrahmanyam | C Minor | 6 | 5A | 94 BPM | ||
| Thulsi Stotram | D.V. Ramani, Traditional, Bhagyamurthi | G Major | 2 | 9B | 100 BPM | ||
| Annadhaana Pprabhuve | K. Veeramani | A Minor | 7 | 8A | 103 BPM | ||
| Bhagyada Lakshmi Baramma | Purandara Dasara Bhakta Bandugalu | G Major | 7 | 9B | 145 BPM | ||
| Om Hara Hara Shankara | J.P. Sai, B.Ramana, Vijalakshmi Sarma, Srivardhani Kuchi, Gopi Kapurnima | F Major | 5 | 7B | 106 BPM | ||
| Thiruttani - Murugan Song | Krishh, Sai Sadhana S | D Major | 4 | 10B | 139 BPM | ||
| Maane Nee | Sikkil Gurucharan | D Major | 4 | 10B | 90 BPM | ||
| Devi Thurgai | Bombay Saradha | D Major | 4 | 10B | 156 BPM | ||
| Aadi Shesha | Krishanraj, Parupalli Ranganath, S. Ramanathan | B Minor | 5 | 10A | 133 BPM | ||
| Chendur Muruga | Pithukuli Murugadas | F Major | 3 | 7B | 160 BPM | ||
| Thuppadinda Gudiya Deepa Hacchi | D.V. Ramani, Maruthi Mirajkar, Sri Chandra, Pashupati Prasad Goturi, Murali Krishna, Prashanth Kukukke, Sharath Bilinele, Bengaluru Ramamurthy Chaya | D♭ Minor | 7 | 12A | 120 BPM | ||
| Ramachandraya | Parupalli Sri Ranganath | B♭ Major | 9 | 6B | 113 BPM |