The Mars Volta's 'Televators - Unfinished Original Recordings Of De-Loused In The Comatorium' had a release date set for April 23, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in The Mars Volta's "Landscape Tantrums (Unfinished Original Recordings Of De-Loused In The Comatorium)" album is number 7 out of 8. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Televators - Unfinished Original Recordings Of De-Loused In The Comatorium's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Televators - Unfinished Original Recordings Of De-Loused In The Comatorium by The Mars Volta to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Driftwood: A Fairy Tale | Cursive | G Minor | 6 | 6A | 123 BPM | ||
| All Is Dead To Me | Muzz | E Major | 7 | 12B | 103 BPM | ||
| Here We, Here We, Here We Go Forever | Mogwai | G Major | 6 | 9B | 118 BPM | ||
| Pendulous Skin | Mastodon | G Minor | 8 | 6A | 116 BPM | ||
| If You Run | Desert Sessions | E Minor | 3 | 9A | 85 BPM | ||
| Amber | The Cooper Temple Clause | C Major | 8 | 8B | 147 BPM | ||
| Widower | The Dillinger Escape Plan | C Minor | 9 | 5A | 136 BPM | ||
| Down in a Rabbit Hole | Bright Eyes | A Minor | 9 | 8A | 132 BPM | ||
| In the Stream of Commerce | Cave In | B♭ Major | 9 | 6B | 156 BPM | ||
| Right Where It Belongs - Version 2 | Nine Inch Nails | F Major | 1 | 7B | 140 BPM | ||
| Harrowdown Hill | Thom Yorke | B Minor | 7 | 10A | 126 BPM | ||
| The Number No Good Things Can Come Of | Glassjaw | C Major | 6 | 8B | 133 BPM | ||
| Castaway Angels | Leprous | B Minor | 4 | 10A | 109 BPM | ||
| Cry for You | Bosnian Rainbows | G Major | 8 | 9B | 149 BPM | ||
| Beethoven's Cunt - Live | Serj Tankian, The F.C.C. | F♯ Major | 10 | 2B | 133 BPM | ||
| Metronome Arthritis | At the Drive-In | A Minor | 6 | 8A | 126 BPM | ||
| Gold Teeth on a Bum | The Dillinger Escape Plan | A♭ Major | 10 | 4B | 133 BPM | ||
| I'll Sue You | Paul Banks | G Major | 8 | 9B | 124 BPM | ||
| Conjugal Burns | The Mars Volta | D Major | 10 | 10B | 192 BPM | ||
| The Same | The Smile | D Minor | 6 | 7A | 142 BPM | ||
| Bastogne Blues | Crippled Black Phoenix | E Minor | 4 | 9A | 90 BPM | ||
| Citadel | Emma Ruth Rundle | D Minor | 1 | 7A | 127 BPM | ||
| Knife Prty - Purity Ring Remix | Deftones, Purity Ring | A♭ Major | 6 | 4B | 123 BPM | ||
| 137 | Brand New | E♭ Minor | 6 | 2A | 121 BPM | ||
| NYC | Interpol | F Major | 8 | 7B | 149 BPM |