"Anthem, Pt. 2" by Philip Glass had its release date on February 10, 1988. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Powaqqatsi". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Anthem, Pt. 2 is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Anthem, Pt. 2 by Philip Glass having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Illusionist | Philip Glass | G Minor | 2 | 6A | 74 BPM | ||
| I Don't Belong Here | Klaus Badelt | A Major | 4 | 11B | 91 BPM | ||
| The Conversation (Main Theme from "The Conversation") | David Shire | D Minor | 1 | 7A | 73 BPM | ||
| Main Title / Trinity Infinity - From "The Matrix" | Don Davis | E Minor | 5 | 9A | 136 BPM | ||
| Dr. Ford | Ramin Djawadi | B Minor | 1 | 10A | 130 BPM | ||
| Serra Pelada | Philip Glass | A♭ Major | 4 | 4B | 97 BPM | ||
| Skin | Ben Salisbury, Geoff Barrow | D♭ Major | 0 | 3B | 108 BPM | ||
| You’re So Cool (From "True Romance") [1993] | Dominik Hauser | F Major | 3 | 7B | 104 BPM | ||
| Sunshine (Adagio in D Minor) | John Murphy | G Major | 4 | 9B | 119 BPM | ||
| Sleepy Dragon | Giorgio Moroder | G Major | 3 | 9B | 120 BPM | ||
| Death by Lightning | Ramin Djawadi | G Major | 4 | 9B | 94 BPM | ||
| Through Poland To A Jewish Village | Bob Cobert | C Major | 4 | 8B | 74 BPM | ||
| Rocky Mountains | Wendy Carlos, Rachel Elkind | E Minor | 2 | 9A | 149 BPM | ||
| La Corsa (2nd Version) | Luis Bacalov | C Major | 4 | 8B | 122 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 166 BPM | ||
| Days Of Heaven (Main Theme) | Orchestra de Verona | C Minor | 3 | 5A | 70 BPM | ||
| Afghan Trek | Theodore Shapiro, Mark Graham | A♭ Minor | 3 | 1A | 100 BPM | ||
| Vanity | Mica Levi | E Minor | 0 | 9A | 54 BPM | ||
| Electricity | Arthur Sharpe | F♯ Major | 2 | 2B | 87 BPM | ||
| Mothersbaugh's Canon | Mark Mothersbaugh | F♯ Major | 2 | 2B | 89 BPM | ||
| Liberation | A.R. Rahman | B♭ Major | 8 | 6B | 110 BPM | ||
| Samwise the Brave | Howard Shore | G Major | 1 | 9B | 66 BPM | ||
| Mars | Harry Gregson-Williams | B♭ Major | 0 | 6B | 106 BPM | ||
| Houston | Justin Hurwitz | E♭ Minor | 2 | 2A | 132 BPM | ||
| Cloud Atlas End Title | Tom Tykwer, Johnny Klimek, Reinhold Heil, Kristjan Järvi, MDR Leipzig Radio Symphony Orchestra | C Major | 2 | 8B | 165 BPM |