Charlotte Rae's ' "The Physician" was released on its scheduled release date, February 1, 2010. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. The Physician's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Songs I Taught My Mother". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Physician's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With The Physician by Charlotte Rae having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Everybody Ought to Have a Maid | David Burns, Jack Gilford, John Carradine | F♯ Minor | 2 | 11A | 83 BPM | ||
| Emily — No Prisoner Be: No. 2, I was the slightest in the House — | Kevin Puts, Time For Three, Joyce DiDonato | C Major | 0 | 8B | 134 BPM | ||
| The Day After That | Anthony Crivello, Kiss of the Spider Woman Original Cast Recording Ensemble | G Major | 2 | 9B | 85 BPM | ||
| The Heroes Come Home | Dean Michener, Charlotte Rae, The Golden Apple Ensemble | F Major | 4 | 7B | 128 BPM | ||
| Over The Wall II | Keith McDaniel, Robert Montano, Dan O'Grady, Raymond Rodriguez, John Norman Thomas, Brent Carver, Joshua Finkel, Gary Schwartz, Jerry Christakos, Aurelio Padron, Anthony Crivello | G Minor | 6 | 6A | 156 BPM | ||
| Prokofiev: Peter and the Wolf, Op. 67: No. 3 The Duck - Dialogue With the Bird; Attack of the Cat | Sergei Prokofiev, Alexander Armstrong, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | E♭ Major | 1 | 5B | 99 BPM | ||
| Shall I Compare Thee To A Summer's Day?, "Sonnet XVIII" (Shakespeare) | Michael Sheen | D Major | 0 | 10B | 88 BPM | ||
| Sometimes I Feel Like A Motherless Child | Paul Robeson | A Minor | 1 | 8A | 65 BPM | ||
| Act I: Trial 1, "All Men Are Equal" | Philip Glass Ensemble | G Major | 0 | 9B | 99 BPM | ||
| One Touch of Venus: I'm A Stranger Here Myself | Kurt Weill, Ute Lemper, RIAS Berlin Kammerensemble | E♭ Minor | 3 | 2A | 112 BPM | ||
| Pierrot Lunaire, Op. 21: I. Mondestrunken | Arnold Schoenberg, Patricia Kopatchinskaja, Meesun Hong, Julia Gallego, Reto Bieri, Thomas Kaufmann, Joonas Ahonen | A Major | 0 | 11B | 113 BPM | ||
| One Hundred Ways to Lose a Man | Maureen Lipman | C Major | 2 | 8B | 116 BPM | ||
| Twelfth Night, Act I Scene 1: If Music Be The Food Of Love, Play On... (Shakespeare) | Michael Sheen | F Major | 0 | 7B | 82 BPM | ||
| Waiter's Song | Denis O'Hare, Amber Gray, Jeremy Shamos, Steven Pasquale, Bobby Cannavale, Rachel Bay Jones, Micaela Diamond | C Major | 3 | 8B | 146 BPM | ||
| The Shape of Things | Sheldon Harnick, Charlotte Rae | F Major | 1 | 7B | 105 BPM | ||
| Play That Barber Shop Chord | Bert Williams | A Major | 2 | 11B | 122 BPM | ||
| The Grass is Always Greener | Lauren Bacall, Marilyn Cooper, Woman of the Year Orchestra | G Major | 3 | 9B | 101 BPM | ||
| Hooray For Captain Spaulding | Groucho Marx, Ken Lane Singers | C Major | 3 | 8B | 140 BPM | ||
| Those Were the Good Old Days | Ray Walston | D♭ Minor | 2 | 12A | 124 BPM | ||
| And her mother came too | Jeremy Northam, Christopher Northam | E♭ Major | 1 | 5B | 177 BPM | ||
| Chapter 9 - True West | Sam Shepard, Dean Cameron, Alfred Molina, Charlotte Rae, Francis Guinan | D♭ Major | 2 | 3B | 72 BPM | ||
| I'm Going Back | Judy Holliday | F♯ Major | 3 | 2B | 115 BPM | ||
| Thoroughly Modern Millie | Carol Channing | B♭ Major | 4 | 6B | 92 BPM | ||
| Mr. Witherspoon's Friday Night | Malcolm Gets | D♭ Major | 3 | 3B | 129 BPM | ||
| We Open In Venice | Broadway Cast Recording | D♭ Major | 5 | 3B | 138 BPM |