Ryan Adams's 'Call Me on Your Way Back Home' had a release date set for September 5, 2000. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ryan Adams's "Heartbreaker" album is number 7 out of 15. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Call Me on Your Way Back Home's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Call Me on Your Way Back Home by Ryan Adams to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Gettysburg Address | Lambchop | C Major | 3 | 8B | 142 BPM | ||
| If You Ever Get Famous | The Duke & The King | D Major | 3 | 10B | 152 BPM | ||
| Yvette | Jason Isbell | D♭ Minor | 2 | 12A | 130 BPM | ||
| Beast For Thee | Bonnie Prince Billy, Matt Sweeney | B Major | 1 | 1B | 81 BPM | ||
| Nobody's Man | Joe Pug | E Major | 4 | 12B | 84 BPM | ||
| Die Like a Rich Boy | Frightened Rabbit | D♭ Major | 3 | 3B | 139 BPM | ||
| The Curse Of Great Beauty | Clem Snide | B Major | 0 | 1B | 100 BPM | ||
| If You Ever Need A Stranger (To Sing At Your Wedding) | Jens Lekman | C Major | 2 | 8B | 113 BPM | ||
| God in Chicago | Craig Finn | F Major | 4 | 7B | 118 BPM | ||
| Heather Remind Me How This Ends | Dolorean | A♭ Major | 3 | 4B | 71 BPM | ||
| To a Band That I Loved | Jason Isbell | D Major | 2 | 10B | 85 BPM | ||
| Breezy | Conor Oberst and the Mystic Valley Band | D♭ Major | 2 | 3B | 175 BPM | ||
| Cheers | Blake Mills | C Major | 1 | 8B | 103 BPM | ||
| Why Do They Leave? | Ryan Adams | A Major | 1 | 11B | 105 BPM | ||
| White Gardenias | Justin Townes Earle | G Major | 2 | 9B | 127 BPM | ||
| Honey Don't Think | Grant Lee Buffalo | F♯ Major | 3 | 2B | 88 BPM | ||
| Empty | Ray LaMontagne | D Major | 4 | 10B | 82 BPM | ||
| Return To Me | Sparklehorse | C Major | 1 | 8B | 100 BPM | ||
| Let's Explode | Clem Snide | G Major | 6 | 9B | 137 BPM | ||
| What We Become | Horse Feathers | C Major | 1 | 8B | 88 BPM | ||
| The Professor & La Fille Danse - Live | Damien Rice | E♭ Major | 2 | 5B | 142 BPM | ||
| 16, Maybe Less | Calexico, Iron & Wine | D Major | 4 | 10B | 187 BPM | ||
| Lovers' Waltz | A.A. Bondy | A♭ Major | 5 | 4B | 113 BPM | ||
| Irrelevant | Matthew Ryan | F Major | 6 | 7B | 173 BPM | ||
| A Girl In Port | Okkervil River | E Major | 4 | 12B | 147 BPM |