Donald Rubinstein's 'Move G' had a release date set for April 24, 2020. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Paper Pieces for Keyboard". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Move G is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Move G by Donald Rubinstein having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Destination Lost | Eddy Melton, Eddie Melton | D♭ Minor | 4 | 12A | 105 BPM | ||
| Mrs. V Watches | Harry Manfredini | B♭ Major | 1 | 6B | 76 BPM | ||
| Confrontation | Charles Bernstein | C Major | 2 | 8B | 92 BPM | ||
| Lonely Void | Mica Levi | F♯ Major | 1 | 2B | 81 BPM | ||
| Closer & Closer | David Shire | G Minor | 0 | 6A | 120 BPM | ||
| Bella By Barlight | John Lurie | A♭ Major | 0 | 4B | 77 BPM | ||
| The House | Pino Donaggio | C Minor | 3 | 5A | 89 BPM | ||
| I Was There | Jerry Goldsmith | A♭ Major | 1 | 4B | 51 BPM | ||
| The Calling/Main Title | Donald Rubinstein | G Major | 2 | 9B | 147 BPM | ||
| Hellbound Heart | Christopher Young | F Minor | 1 | 4A | 95 BPM | ||
| In Flagrante Delicto | Spk | G Major | 3 | 9B | 84 BPM | ||
| Dusseldorf 1965 | Roy Ricardo, Ricc Roy | F Minor | 2 | 4A | 62 BPM | ||
| Déshominisation (I) | Alain Goraguer | F♯ Minor | 6 | 11A | 121 BPM | ||
| Fantasies | Jason Hill | D♭ Major | 0 | 3B | 71 BPM | ||
| Chant of the Eternal Lanterns | Arjun Tara | D Minor | 0 | 7A | 72 BPM | ||
| On This Night | Jerry Goldsmith | E Major | 1 | 12B | 169 BPM | ||
| Trailer Park | David Shire | A♭ Major | 1 | 4B | 172 BPM | ||
| Triumph On Your Knees | DePaul Osaze | E♭ Major | 2 | 5B | 100 BPM | ||
| Modern Vamp | Donald Rubinstein | B Minor | 1 | 10A | 112 BPM | ||
| Opening Theme | Philip Mossman & Darren Morris | D♭ Major | 1 | 3B | 82 BPM | ||
| Ante La Mirada | Universos Terrenales | A Minor | 1 | 8A | 82 BPM | ||
| Ingram Marshall (b. 1942): Fog Tropes | Ingram Marshall, John Adams, Orchestra of St. Luke's | D Major | 1 | 10B | 130 BPM | ||
| Diminished Chord - Electric | Donald Rubinstein, Bill Frisell | A Minor | 3 | 8A | 89 BPM | ||
| Beyond The Pleasure Principle | Jason Hill | C Minor | 1 | 5A | 169 BPM | ||
| Palliative Care | Adam Janota Bzowski | F Major | 1 | 7B | 77 BPM |