Aaron Zigman's 'Hello It's Me - Instrumental' had a release date set for March 11, 2022. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 25 in And Just Like That (Soundtrack from the HBO® Max Original Series) by Aaron Zigman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Hello It's Me - Instrumental is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Hello It's Me - Instrumental by Aaron Zigman is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hello Lovers | Aaron Zigman | A Major | 1 | 11B | 98 BPM | ||
| Sleeping Heart | Neslihan Atagoz, Telepatia | F♯ Major | 2 | 2B | 85 BPM | ||
| Rose Garden | Adrian Johnston | E Major | 0 | 12B | 83 BPM | ||
| The Proposal | George Fenton | F Major | 0 | 7B | 65 BPM | ||
| Clifftop Prelude | Stuart Earl | A Major | 2 | 11B | 65 BPM | ||
| Le temps qui passe | Grégoire Hetzel | D♭ Major | 2 | 3B | 126 BPM | ||
| Picnic In The Park | The Mirror Has Two Faces (Soundtrack) | E♭ Major | 1 | 5B | 73 BPM | ||
| Preparation | The Chamber Orchestra Of London | A Minor | 3 | 8A | 80 BPM | ||
| Lou Shaves Will | Craig Armstrong | C Major | 0 | 8B | 65 BPM | ||
| Answering the Siren Call | Michael Abels | C Major | 0 | 8B | 87 BPM | ||
| Why Didn't She Just Go To the Police? | Hannes De Maeyer | F♯ Minor | 0 | 11A | 113 BPM | ||
| Revelation Du Mariage | Chris Alan Lee | C Major | 4 | 8B | 81 BPM | ||
| Clara y Diego | Ivan Palomares | D Major | 2 | 10B | 64 BPM | ||
| Can People Change? | Joseph Trapanese, London Contemporary Orchestra, Tonality | C Major | 1 | 8B | 116 BPM | ||
| Waiting for Tim | Paul Leonard-Morgan | A Minor | 0 | 8A | 180 BPM | ||
| Being Seen is Everything | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Solo en Casa / La Llegada de Papá | Fernando Velázquez | A♭ Major | 1 | 4B | 78 BPM | ||
| From Gelato to Love | Kostas Christides | A Major | 1 | 11B | 120 BPM | ||
| Portuguese Love Theme | Craig Armstrong | C Major | 1 | 8B | 85 BPM | ||
| The Globe | Jan A.P. Kaczmarek | A Major | 0 | 11B | 93 BPM | ||
| Journey To Uppercross | Stuart Earl | E Minor | 2 | 9A | 80 BPM | ||
| Wedding | Craig Armstrong | F♯ Major | 3 | 2B | 49 BPM | ||
| Cassie | Anthony Willis | F Minor | 1 | 4A | 79 BPM | ||
| We Have Each Other | Anne Nikitin | C Minor | 1 | 5A | 138 BPM | ||
| On Golden Pond - Epilogue | Dave Grusin | G Major | 2 | 9B | 126 BPM |