Carly Comando's 'Landing' had a release date set for September 18, 2015. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 11 in Dreamlife by Carly Comando. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Landing's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Landing by Carly Comando is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Black Lights | The Carbon Files | A Minor | 2 | 8A | 160 BPM | ||
| One Day in August | Marc Teichert | F♯ Minor | 1 | 11A | 141 BPM | ||
| Receives | Keith Kenniff | E♭ Major | 1 | 5B | 95 BPM | ||
| Time Lapse | Ludovico Einaudi | F Minor | 1 | 4A | 125 BPM | ||
| Summer Days | Kai Engel | G Minor | 1 | 6A | 115 BPM | ||
| Six Etudes for Piano - q = 96 | Philip Glass, Bruce Brubaker | F Minor | 0 | 4A | 71 BPM | ||
| The Last Man | Clint Mansell | D Minor | 0 | 7A | 79 BPM | ||
| il | Jean-Michel Blais | E Major | 4 | 12B | 104 BPM | ||
| Greenlawn | Carly Comando | G Major | 2 | 9B | 180 BPM | ||
| Fetch | Jan A.P. Kaczmarek | A Minor | 3 | 8A | 142 BPM | ||
| Not Alone | Rob Costlow | F Major | 3 | 7B | 140 BPM | ||
| Move - US | Jonathan Elias | D♭ Minor | 3 | 12A | 120 BPM | ||
| Tears of the East | Philip Wesley | A Minor | 2 | 8A | 76 BPM | ||
| Broken Soul - Remastered | Igor Longhi | G Minor | 3 | 6A | 160 BPM | ||
| Anyone | Keith Kenniff | F♯ Minor | 2 | 11A | 173 BPM | ||
| First Gymnopedie | Jon Dahlander | G Major | 1 | 9B | 85 BPM | ||
| Birds | Giles Lamb | F Major | 2 | 7B | 69 BPM | ||
| Broken Soul in G Minor | Igor Longhi | G Minor | 2 | 6A | 160 BPM | ||
| The Time to Run (Finale) | Dexter Britain | A Minor | 1 | 8A | 132 BPM | ||
| Alone | James Spiteri | E Major | 1 | 12B | 66 BPM | ||
| Arrival of the Birds | The Cinematic Orchestra, London Metropolitan Orchestra | E♭ Minor | 1 | 2A | 130 BPM | ||
| Carousel #3 | Federico Albanese | G Minor | 0 | 6A | 116 BPM | ||
| Nocturne in G | Niall Byrne | G Minor | 2 | 6A | 66 BPM | ||
| Labyrinth | Alexis Ffrench | F Major | 0 | 7B | 116 BPM | ||
| Erik Satie: 3 Gymnopédies: III. Lent et grave | Erik Satie, Ronan O'Hora | A Minor | 0 | 8A | 84 BPM |