"あなたは花のようなひと" by 蒲原史子 had its release date on February 21, 1997. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in フィオーリ〜花の歌, so we believe that "あなたは花のようなひと" is a single. In terms of popularity, あなたは花のようなひと is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of あなたは花のようなひと by 蒲原史子 is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mazeppa, TH 7 / Act 3: "Spi, mladyenits moy prekrasniy" (Maria's Lullaby) | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Major | 1 | 3B | 76 BPM | ||
| Britten: Soirées musicales, Op. 9: II. Canzonetta | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | D Major | 1 | 10B | 133 BPM | ||
| Puccini: Madama Butterfly, Act 1: "Gran ventura" (Butterfly, Coro, Pinkerton, Sharpless, Goro) | Giacomo Puccini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Mario Borriello, Nicolai Gedda, Renato Ercolani, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | D♭ Major | 1 | 3B | 171 BPM | ||
| Rossini: Petite messe solennelle: XI. Et resurrexit | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Minor | 1 | 3A | 85 BPM | ||
| La bohème, Act III: O mia vita! – Donde lieta uscì | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 90 BPM | ||
| Delibes: Duo des fleurs (de "Lakmé") | Léo Delibes, Monroe | D Major | 4 | 10B | 149 BPM | ||
| Norma (1997 Digital Remaster), ACT 2, Scene 3: Norma! ... deh! Norma, scòlpati! (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | G Major | 1 | 9B | 76 BPM | ||
| シベリウス: 悲しきワルツ | Jean Sibelius, 渡邉曉雄, Japan Philharmonic Orchestra | G Major | 0 | 9B | 76 BPM | ||
| ここはすばらしい場所 作品21の7 | 蒲原史子 | A Major | 1 | 11B | 85 BPM | ||
| Che fiero costume | Giovanni Legrenzi, Holly Bewlay, Sarah Rhee | G Minor | 1 | 6A | 107 BPM | ||
| Messa di gloria, SC 6: IIe. Gloria. Cum Sancto Spiritu - Live | Giacomo Puccini, Bavarian Radio Chorus, Munich Radio Orchestra, Ivan Repušić | F♯ Minor | 0 | 11A | 109 BPM | ||
| La rosa y el sauce | Tamara Radjenovic, Makris Symphony Orchestra | F Major | 0 | 7B | 106 BPM | ||
| Carmen, WD 31, Act I: Dans l'air nous suivons des yeux la fumee | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | E Major | 1 | 12B | 78 BPM | ||
| この道 | Kosaku Yamada, Yumiko Samejima | E Major | 1 | 12B | 135 BPM | ||
| Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 2 | 7B | 78 BPM | ||
| L'Orfeo, SV 318, Act III: Sinfonia – Possente spirto | Claudio Monteverdi, Rolando Villazón, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| Verdi: Rigoletto, Act 1 Scene 13: No. 6, Scene ed Aria, "Gualtier Maldè! … Caro nome che il mio cor" (Gilda) | Giuseppe Verdi, Dan Ettinger, Munich Radio Orchestra | E Major | 0 | 12B | 118 BPM | ||
| 「マドンナの宝石」間奏曲 第1番(ヴォルフ=フェラーリ) | ヴォルフ=フェラーリ, ロビン・ステープルトン, Royal Philharmonic Orchestra | B♭ Major | 3 | 6B | 146 BPM | ||
| アリア 〜ブラジル風バッハ第5番より | 蒲原史子 | A Major | 1 | 11B | 85 BPM | ||
| アヴェ・マリア(詞:P・マッツォーニ) | 蒲原史子 | F Major | 1 | 7B | 81 BPM | ||
| アヴェ・ヴェルム・コルプス | Wolfgang Amadeus Mozart, Maki Mori | F Major | 0 | 7B | 70 BPM | ||
| Imagination Is Everything | DePaul Osaze | D♭ Major | 3 | 3B | 152 BPM | ||
| Carmen, Act IV: Finale. Duet & Final Chorus. C'est toi! | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | D♭ Major | 2 | 3B | 110 BPM | ||
| Misatango, Misa a Buenos Aires: X. Credo in spiritum sanctum | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 81 BPM | ||
| Granados / Transcr. Bakish: 12 Tonadillas en estilo antiguo: No. 6, El mirar de la maja | Enrique Granados, Liat Cohen, Charles Castronovo | A Minor | 1 | 8A | 87 BPM |