MOTOR, Billie Ray Martin's 'Hyper Lust' had a release date set for April 13, 2012. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Hyper Lust's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in MOTOR's "Man Made Machine" album is number 2 out of 11. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Hyper Lust is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Hyper Lust by MOTOR, Billie Ray Martin to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aliens Electric | Dance Or Die | D♭ Major | 9 | 3B | 130 BPM | ||
| I Idolize You - Aesthetic Perfection Mix | Massive Ego, Aesthetic Perfection | G Major | 7 | 9B | 91 BPM | ||
| The Wound | Pain in the Yeahs | D♭ Major | 5 | 3B | 110 BPM | ||
| Black Soul Survivor | In.Visible | C Major | 6 | 8B | 105 BPM | ||
| Mother (Maternal Instinct) | :Wumpscut: | C Major | 9 | 8B | 163 BPM | ||
| Banging Down Your Door | Fixmer/McCarthy, Terence Fixmer, Douglas McCarthy | A Major | 8 | 11B | 125 BPM | ||
| Army of Me | Leæther Strip | A♭ Major | 9 | 4B | 172 BPM | ||
| Starsign | Apoptygma Berzerk | F Minor | 10 | 4A | 133 BPM | ||
| Judge of My Domain | Covenant | A♭ Major | 10 | 4B | 137 BPM | ||
| LAX | Aesthetic Perfection | G Major | 9 | 9B | 126 BPM | ||
| Blood Money | Nitzer Ebb | C Major | 7 | 8B | 200 BPM | ||
| Pitch Black Ocean | Biomekkanik | A Minor | 9 | 8A | 120 BPM | ||
| Electronic World Transmission (Reconstructed by [:SITD:]) | Rotersand | G Major | 9 | 9B | 120 BPM | ||
| Strange Hours - Edit | Recoil | F♯ Major | 6 | 2B | 82 BPM | ||
| Electrosexual | Faderhead | D♭ Major | 8 | 3B | 104 BPM | ||
| I Don't Think They Know | Mesh | B♭ Major | 7 | 6B | 103 BPM | ||
| Sex Dwarf | Leæther Strip | B♭ Minor | 3 | 3A | 108 BPM | ||
| Single Blip | VCMG | F♯ Minor | 7 | 11A | 125 BPM | ||
| Future Whores | SINE | F Minor | 8 | 4A | 90 BPM | ||
| I Tune In | Cryo | F♯ Minor | 10 | 11A | 95 BPM | ||
| Satisfaction | Black Nail Cabaret | A Major | 6 | 11B | 100 BPM | ||
| When the City Breathes | Mesh | B Minor | 9 | 10A | 123 BPM | ||
| Near - Banilla Dream Version | Apoptygma Berzerk | D♭ Major | 10 | 3B | 95 BPM | ||
| Generation Black | Faderhead | F Major | 6 | 7B | 122 BPM | ||
| Edge To Life - 2010 Remastered Version | Recoil | F♯ Minor | 9 | 11A | 110 BPM |