Rod Stewart's 'Stardust' had a release date set for October 12, 2004. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Stardust...The Great American Songbook III". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Stardust is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Stardust by Rod Stewart having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Nearness Of You | Norah Jones | C Major | 0 | 8B | 81 BPM | ||
| I Should Have Known Better (feat. Mario Jose) | Brynn Stanley, Mario Jose | F♯ Major | 3 | 2B | 106 BPM | ||
| The Look Of Love | Diana Krall | B♭ Major | 3 | 6B | 93 BPM | ||
| All My Tomorrows | Edgar Mortiz | E Major | 2 | 12B | 173 BPM | ||
| If You Leave Me Now | Peter Cetera | E Minor | 6 | 9A | 201 BPM | ||
| For Sentimental Reasons | Glenn Frey | D♭ Major | 2 | 3B | 72 BPM | ||
| Champagne at Noon | Evening Jazz Radio | D Major | 3 | 10B | 125 BPM | ||
| A Forgotten Prelude | Marston Hale | B♭ Major | 3 | 6B | 98 BPM | ||
| Timeless Thing | Timeless Tone | F Major | 3 | 7B | 115 BPM | ||
| Then I'll Be Tired of You | Kat Gang | G Major | 2 | 9B | 110 BPM | ||
| The More I See You - Remastered | Nina Simone | G Major | 4 | 9B | 112 BPM | ||
| Calluses & Confessions | TAPA BLANCA | D Major | 5 | 10B | 95 BPM | ||
| Isn't It Romantic? | Steve Tyrell | D Major | 4 | 10B | 114 BPM | ||
| Close to You | Hailey Tuck | G Major | 3 | 9B | 108 BPM | ||
| The Old Fashioned Way | Helen Reddy | G Minor | 5 | 6A | 143 BPM | ||
| Sultry Tale | Reckios Land | G Minor | 4 | 6A | 130 BPM | ||
| Love Began In New York - 1940s American Jazz | The Jazz House | E♭ Major | 3 | 5B | 73 BPM | ||
| Lost and Found | Dikheel Aldikheel | D♭ Major | 2 | 3B | 113 BPM | ||
| Little You | Michael Karadyan | A♭ Major | 3 | 4B | 175 BPM | ||
| You Will Never Find (with Cristina Bianchi) | Max Lodini, Cristina Bianchi | F♯ Minor | 10 | 11A | 130 BPM | ||
| Pocket Song | Joe Stilgoe, Tom Farmer, Ben Reynolds, Billy Adamson, James McMillan | F Minor | 5 | 4A | 144 BPM | ||
| Beside Me When I Wake - 1940s Jazz | Jazz Street | G Minor | 3 | 6A | 85 BPM | ||
| Take Your Shoes Off, Baby | Carol Sloane | C Major | 4 | 8B | 95 BPM | ||
| Arthur's Theme | Christopher Cross | E Major | 4 | 12B | 208 BPM | ||
| I'll Be Yours | Jeff Meegan, David Tobin, Charley Harrison | F Minor | 3 | 4A | 111 BPM |