Basement's 'Changing Lanes' had a release date set for September 28, 2018. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 12 in Beside Myself by Basement. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Changing Lanes's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Changing Lanes by Basement is Allegro (fast, quick, and bright), since this song has a tempo of 154 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clairvoyant | The Story So Far | A♭ Major | 4 | 4B | 86 BPM | ||
| Afterthought | all under heaven | A♭ Major | 8 | 4B | 100 BPM | ||
| Leave Everything | Vs Self | A Minor | 6 | 8A | 118 BPM | ||
| Stay | Narrow Head | G Major | 8 | 9B | 134 BPM | ||
| Sisters | It Looks Sad. | B♭ Major | 5 | 6B | 107 BPM | ||
| Bad Boy / Promises | Heartbreaknino, Basement | B Minor | 4 | 10A | 115 BPM | ||
| Waiting in Vain | The Story So Far | D♭ Major | 8 | 3B | 145 BPM | ||
| July the Fourth | Nothing | G Major | 9 | 9B | 159 BPM | ||
| Rough Terrain | Born Without Bones | A♭ Major | 9 | 4B | 166 BPM | ||
| Late Lives | Pianos Become The Teeth | F♯ Major | 7 | 2B | 136 BPM | ||
| Drag | Leaving Time | E♭ Major | 8 | 5B | 77 BPM | ||
| Grayscale | Basement | E♭ Minor | 7 | 2A | 145 BPM | ||
| Head Hands | Fiddlehead | A Major | 7 | 11B | 90 BPM | ||
| Hertzfeldt | Camping In Alaska | C Major | 4 | 8B | 52 BPM | ||
| WMD | trauma ray | A♭ Major | 5 | 4B | 80 BPM | ||
| Everyday Evil | Soul Blind | A♭ Major | 10 | 4B | 163 BPM | ||
| Enough | Daylight | E♭ Major | 9 | 5B | 100 BPM | ||
| UGLY BUG | Downward | B♭ Major | 10 | 6B | 128 BPM | ||
| Notice | Origami Angel | D Major | 1 | 10B | 121 BPM | ||
| Part of the Act | I'm Glad It's You | F Major | 8 | 7B | 166 BPM | ||
| You're Not My Father | Daylight | A♭ Major | 9 | 4B | 107 BPM | ||
| Home Is Where the Haunt Is | American Football | E Major | 5 | 12B | 108 BPM | ||
| Shed | Title Fight | A Major | 10 | 11B | 82 BPM | ||
| Parking Lot | Mineral | D Major | 8 | 10B | 132 BPM | ||
| Earthquake | Ridgeway | A Major | 2 | 11B | 129 BPM |