- BPM
- 170
- Key
- D♭ Minor
- Camelot
- 12A
Consort Set No. 6 for Six Viols: Pavin, VdGS 84 by William Lawes, Ricercar Consort, Philippe Pierlot Song Details
William Lawes, Ricercar Consort, Philippe Pierlot's 'Consort Set No. 6 for Six Viols: Pavin, VdGS 84' had a release date set for November 22, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 19 in Distracted Tymes by Ricercar Consort, Philippe Pierlot. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Consort Set No. 6 for Six Viols: Pavin, VdGS 84 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Consort Set No. 6 for Six Viols: Pavin, VdGS 84 by William Lawes, Ricercar Consort, Philippe Pierlot is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
Music Key
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -19.535 dB
- Acousticness
- 92%
- Danceability
- 15%
- Energy
- 14%
- Instrumentalness
- 88%
- Liveness
- 11%
- Loudness
- 67%
- Speechiness
- 5%
- Valence
- 20%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: IV. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | |
 | Loves farewell | Tobias Hume, Mime Yamahiro-Brinkmann | C Minor | 0 | 5A | 65 BPM | |
 | Lawes: Consort Set No. 2 for 5 Viols in A Minor, VdGS 71-73: I. Fantazy | William Lawes, Fretwork | A Minor | 0 | 8A | 117 BPM | |
 | Canzoni overo sonate concertate, Op. 12: No. 4, La Treccha | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | |
 | Membra Jesu Nostri, BuxWV 75, Ad genua: Aria "Quid sum tibi responsurus" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena | C Minor | 2 | 5A | 90 BPM | |
 | Violin Sonata No. 6 in C Minor, C. 143: V. Adagio - Allegro - Adagio | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | A♭ Major | 1 | 4B | 78 BPM | |
 | Ancor che col partire | Antonio de Cabezón, Yoann Moulin | A Minor | 1 | 8A | 135 BPM | |
 | Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | |
 | Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | |
 | Harp Consort No. 11 in D Minor: Fantazy | William Lawes, Robin Pharo, Ensemble Près de votre oreille | A♭ Minor | 2 | 1A | 135 BPM | |
 | Zefiro torna e di soavi accenti, SV 251 | Claudio Monteverdi, Bellot Ensemble, Lucine Musaelian, Kieran White, Olivia Petryszak | F♯ Major | 2 | 2B | 101 BPM | |
 | LOrfeo, SV318: Signor, Quellinfelice | Claudio Monteverdi, Musica Sequenza, BURAK, Diana Ramirez | F♯ Minor | 1 | 11A | 75 BPM | |
 | Concerto for 2 Violins in A Major, TWV 52:A2: II. Largo | Georg Philipp Telemann, Julia Huber, Martin Jopp, L'Orfeo Barockorchester, Carin van Heerden | E♭ Major | 0 | 5B | 138 BPM | |
 | Pièces de clavecin en concerts, Cinquième Concert, RCT 11: II. La Cupis (Arr. for Baroque Ensemble & Saxophone by Bo Wiget) | Jean-Philippe Rameau, Lautten Compagney, Asya Fateyeva, Wolfgang Katschner | D Minor | 1 | 7A | 131 BPM | |
 | Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | |
 | Passemezzo for Lute & Bass Viol | Adrien Le Roy, Geneva Baroque Duo | B Major | 2 | 1B | 124 BPM | |
 | Anchor che col partire' | Paolo Pandolfo, Céline Scheen, Andrea de Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D♭ Major | 0 | 3B | 64 BPM | |
 | Captaine Piper his Galiard | John Dowland, Les Voix Humaines | E♭ Minor | 0 | 2A | 167 BPM | |
 | Suite No. 2 in D Major: II. Allemande | Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer | D♭ Major | 0 | 3B | 104 BPM | |
 | Feuillages verts, naissez, H. 449a | Marc-Antoine Charpentier, Gwendoline Blondeel, Quito Gato, Pernelle Marzorati, Mathilde Vialle | F♯ Major | 0 | 2B | 75 BPM | |
 | Couperin, L: Carillons, G. 141 | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | F Minor | 3 | 4A | 87 BPM | |
 | Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | |
| Violin Sonata No. 6 in C Minor, C. 143: III. [...] - Adagio | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | A♭ Major | 1 | 4B | 78 BPM | |
 | Sonata da Chiesa a tre, Op. 1 No. 1 in F Major: I. Grave | Arcangelo Corelli, Purcell Quartet, Catherine Mackintosh, Elizabeth Wallfisch, Richard Boothby, Robert Woolley, Jakob Lindberg | C Major | 1 | 8B | 101 BPM | |
| Lawes: Fantasie for 3 Lyra Viols, VdGS No. 573 | William Lawes, Fretwork | E♭ Minor | 0 | 2A | 130 BPM |
- ISRC
- FRU622464810
- Label
- L-M Records/RCA Records