ThunderKathryn's ' "Bittersweet Nightmares" was released on its scheduled release date, June 2, 2020. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Bittersweet Nightmares's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wolf Song: The Soundtrack by ThunderKathryn. The song's track number on the album is #1 out of 11 tracks. Based on our data, Sweden was the country where this track was produced or recorded. Based on our statistics, Bittersweet Nightmares's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Bittersweet Nightmares by ThunderKathryn has a tempo of 130 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Bittersweet Nightmares being at 130 BPM, the half-time would be 65 BPM with a double-time of 260 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nostalgia Theme | Tormod Garvin, Alex Hill-Knight | C Major | 0 | 8B | 70 BPM | ||
| (WEBTOON Original Soundtrack) Nevermore Episode 43 [Paper Dolls] | Ele Soundtracks | F Minor | 3 | 4A | 98 BPM | ||
| Favorable Exchange | Trudy Olmos | C Major | 1 | 8B | 113 BPM | ||
| Into the Wild | Sharon Hurvitz | C Minor | 3 | 5A | 85 BPM | ||
| Night Vision | Bslick | C Minor | 2 | 5A | 119 BPM | ||
| Mimic of Reality | Ampient | A Minor | 1 | 8A | 130 BPM | ||
| Build a (GOBLIN) | Nathan Hanover Synthonic Orchestra | C Major | 6 | 8B | 96 BPM | ||
| Wolf in sheep's clothing | Yea An | E Minor | 0 | 9A | 115 BPM | ||
| Deep Diving I | Anselm Kreuzer | B♭ Minor | 3 | 3A | 109 BPM | ||
| Moonlight Sonata On Old Piano Mvmnt. 1 | BaileyPiano | D♭ Minor | 2 | 12A | 141 BPM | ||
| Pixies | TIN | E Minor | 7 | 9A | 130 BPM | ||
| Shapes | Alec Holowka | A Major | 1 | 11B | 80 BPM | ||
| The Nightmare | Brandon Boone | A♭ Major | 1 | 4B | 156 BPM | ||
| Anywhere But Here | Yoshihiro Ike | D Minor | 2 | 7A | 79 BPM | ||
| Lure of the Maw | Tobias Lilja | F Minor | 0 | 4A | 116 BPM | ||
| The Fox and the Foxhound | Judson Hurd | B Minor | 1 | 10A | 126 BPM | ||
| How We Really Met | Damien Salinas | F♯ Major | 0 | 2B | 117 BPM | ||
| The King in Yellow (Prelude) | Martin Kuzniar | A Minor | 1 | 8A | 181 BPM | ||
| Adventures in your Sleep | The Blake Robinson Synthetic Orchestra | C Major | 5 | 8B | 200 BPM | ||
| Jishoumushoku / Self-Inflicted Achromatic - Piano Version | LunaPiano | B♭ Minor | 1 | 3A | 99 BPM | ||
| Infinite Amethyst | Ted Anthony | E♭ Major | 3 | 5B | 138 BPM | ||
| Cordial Condolences except its only on the piano | Zalundia, Veronica Grace Garcia | G Minor | 6 | 6A | 120 BPM | ||
| Divine Beast Vah Ruta | Mother 2 | A Major | 5 | 11B | 140 BPM | ||
| Dreamland is Falling Dawn | arai tasuku | C Major | 7 | 8B | 132 BPM | ||
| Passing Through(Can't the Future Just Wait) | Enhanced Harmony | A Major | 2 | 11B | 144 BPM |