Lewis Watson's 'leaving blues' had a release date set for November 11, 2016. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 2 in the song's album "Torch Songs: Leaving Blues". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, leaving blues's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With leaving blues by Lewis Watson having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Going Back to Bowenville (SLNK) | Stu Larsen, Natsuki Kurai | D Minor | 4 | 7A | 144 BPM | ||
| The Jacket | Henry Jamison | A Major | 6 | 11B | 160 BPM | ||
| Catch Alight | Mantaraybryn | E♭ Major | 3 | 5B | 168 BPM | ||
| Wanted to Be Loved - Acoustic | Daniel Ahearn | A Minor | 2 | 8A | 90 BPM | ||
| Lions - Acoustic Version | William Fitzsimmons | C Major | 1 | 8B | 144 BPM | ||
| I'll Be Fine | Johnny Stimson | E Major | 2 | 12B | 82 BPM | ||
| The Wild Winds | Harry Pane | D Major | 4 | 10B | 91 BPM | ||
| Ten & True | James Quick | F Minor | 2 | 4A | 75 BPM | ||
| House | Joshua Moss | A♭ Major | 3 | 4B | 164 BPM | ||
| The Sheer | Manu Pozzi | F Major | 3 | 7B | 104 BPM | ||
| fake plastic trees | Lewis Watson | A♭ Major | 4 | 4B | 146 BPM | ||
| Maybe, Maybe. | Cam Nacson | E Major | 3 | 12B | 135 BPM | ||
| Tired and Awake | Oliver Riot | G Major | 2 | 9B | 77 BPM | ||
| Sunlit Juice | Henry Jamison | G Major | 5 | 9B | 174 BPM | ||
| A Wilder Heart - Acoustic | Prides | C Major | 3 | 8B | 110 BPM | ||
| Olivia - Bonus Track | Canyon City | D Major | 2 | 10B | 95 BPM | ||
| Dallas Love Field | Henry Jamison | C Major | 5 | 8B | 120 BPM | ||
| Sounds Like Help | Austin Basham | C Major | 4 | 8B | 126 BPM | ||
| Enough for You | Saint Claire | A Major | 2 | 11B | 94 BPM | ||
| You & I | Kyle Lionhart | F♯ Minor | 4 | 11A | 142 BPM | ||
| Summer Storms | Jake Etheridge | B Major | 2 | 1B | 130 BPM | ||
| All We've Done (Lost Recording #9) | Mark Diamond | F Minor | 2 | 4A | 76 BPM | ||
| Pretty Words | Crissi Cochrane | A♭ Major | 1 | 4B | 75 BPM | ||
| Belong | Tim Chadwick | D♭ Major | 4 | 3B | 137 BPM | ||
| When She's Not Around | Okay Mann | F♯ Major | 2 | 2B | 132 BPM |