"Second Concerto for Piano and Orchestra, Op. 23: II. Andantino semplice - Andantino con moto - Meno mosso" by Dmitry Kabalevsky, Kathryn Stott, Vassily Sinaisky, BBC Philharmonic Orchestra, BBC Philharmonic had its release date on March 1, 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Dmitry Kabalevsky, Kathryn Stott, Vassily Sinaisky, BBC Philharmonic Orchestra, BBC Philharmonic's "Kabalevsky: Piano Concertos, Vol. 1" album is number 3 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Second Concerto for Piano and Orchestra, Op. 23: II. Andantino semplice - Andantino con moto - Meno mosso's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Second Concerto for Piano and Orchestra, Op. 23: II. Andantino semplice - Andantino con moto - Meno mosso by Dmitry Kabalevsky, Kathryn Stott, Vassily Sinaisky, BBC Philharmonic Orchestra, BBC Philharmonic to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serenade for Strings in C, Op. 48: 1. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Semyon Bychkov | B♭ Minor | 0 | 3A | 66 BPM | ||
| Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
| Piano Concerto No.1 In G Minor, Op.25, MWV O7: 3. Presto | Felix Mendelssohn, Jean-Yves Thibaudet, Gewandhausorchester, Herbert Blomstedt | G Major | 2 | 9B | 97 BPM | ||
| Sylvia: Act I: Faunes et Dryades (Scherzo) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 81 BPM | ||
| Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo (Lebhaft) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | F Major | 1 | 7B | 81 BPM | ||
| Cello Concerto No. 2, Op. 77: II. Presto marcato | Dmitry Kabalevsky, Bryden Thomson, London Philharmonic Orchestra, Raphael Wallfisch | B♭ Minor | 3 | 3A | 109 BPM | ||
| Two Nordic Melodies, Op. 63 for string Orchestra: I folketonestil (In Folk Style). Andante | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | A♭ Major | 0 | 4B | 83 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| Valse de Concert Nr. 1 in D Major, Op. 47: Allegro | Alexander Glazunov, Beethoven Orchester Bonn, Stefan Blunier | G Minor | 2 | 6A | 174 BPM | ||
| Symphony No. 3 in C Minor: IV. Scherzo. Finale. Allegro | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | C Minor | 3 | 5A | 132 BPM | ||
| 8 Easy Pieces, Op. 43: No. 1, Prélude | Reinhold Glière, Alton Chung Ming Chan | D♭ Major | 0 | 3B | 66 BPM | ||
| Butterfly Lovers Violin Concerto: VI. Presto resoluto | Chen Gang, He Zhanhao, Chloe Chua, Singapore Symphony Orchestra, Rodolfo Barráez | D Major | 1 | 10B | 101 BPM | ||
| Serenade for Strings in E Minor, Op. 20: III. Allegretto | Edward Elgar, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
| Piano Sonata in G Minor: I. Allegro molto agitato | Fanny Mendelssohn, Heather Schmidt | B Minor | 3 | 10A | 87 BPM | ||
| Elegy No. 1 in D Major | Giovanni Bottesini, Andrew Burashko, Joel Quarrington | D Major | 0 | 10B | 89 BPM | ||
| Raff: Cavatina in A-Flat Major, Op. 85 No. 3 | Joachim Raff, Itzhak Perlman | D Major | 2 | 10B | 100 BPM | ||
| Nocturne No.3 in A Flat Major, Op.33 No.3 | Gabriel Fauré, Pascal Rogé | A Minor | 0 | 8A | 76 BPM | ||
| Serenade, Op. 2: IV. Finale. Allegretto non troppo | Mieczysław Karłowicz, Warsaw Philharmonic Orchestra, Antoni Wit | F Minor | 1 | 4A | 88 BPM | ||
| Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 128 BPM | ||
| Weber: Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: I. Allegro | Carl Maria von Weber, Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | F Minor | 1 | 4A | 128 BPM | ||
| Concertstück in F Major, Op. 86: Concertstuck in F Major, Op. 86: I. Lebhaft | Robert Schumann, American Horn Quartet, Sinfonia Varsovia, Dariusz Wisniewski | F Major | 1 | 7B | 73 BPM | ||
| Violin Concerto In D Major, Op. 35: III. Finale: Allegro assai vivace | Erich Wolfgang Korngold, Gil Shaham, London Symphony Orchestra, André Previn | B Major | 1 | 1B | 142 BPM | ||
| Cello Concerto No. 1 in G Minor, Op. 49: II. Largo, molto espressivo | Dmitry Kabalevsky, Eugene Ormandy, Philadelphia Orchestra, Yo-Yo Ma | B Major | 1 | 1B | 89 BPM | ||
| 8 Pieces, Op. 39: No. 3, Berceuse | Reinhold Glière, Friedemann Eichhorn, Martin Rummel, Alexander Hülshoff | E Minor | 2 | 9A | 82 BPM | ||
| Overture to the Opera Taras Bulba: Sostenuto e maestoso - Allegro non troppo | Mykola Lysenko, Beethoven Orchester Bonn, Stefan Blunier | C Minor | 3 | 5A | 167 BPM |